tag:blogger.com,1999:blog-2187540623683990302024-03-05T13:30:45.982-05:00Shelby Lee Adams - ResumeShelby Lee Adamshttp://www.blogger.com/profile/15652185615973481104noreply@blogger.comBlogger2125tag:blogger.com,1999:blog-218754062368399030.post-29968518765500450702007-03-07T18:53:00.170-05:002023-11-30T09:45:47.294-05:00Updated August 2023<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhloNmSjVKFIJdNoR2X9iwzS1UJwsNo4sRhCYHb1I-JSVensn51X9N5Xd4zOwJUugT8h04KQQ3j4EKGWUbqRigigY1VJY7iJaE_sFOEnYg76ivPBklUsAblU_-NXM8TGU7apce1kj2JiQQ/s1600-h/Brother-Baker,99.jpg"><img alt="" border="0" id="BLOGGER_PHOTO_ID_5367694506766449090" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhloNmSjVKFIJdNoR2X9iwzS1UJwsNo4sRhCYHb1I-JSVensn51X9N5Xd4zOwJUugT8h04KQQ3j4EKGWUbqRigigY1VJY7iJaE_sFOEnYg76ivPBklUsAblU_-NXM8TGU7apce1kj2JiQQ/s400/Brother-Baker,99.jpg" style="cursor: pointer; float: right; height: 400px; margin: 0pt 0pt 10px 10px; width: 288px;" /></a><br />
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<span style="font-weight: bold;"><span style="color: #9999ff;">Born</span> </span> October 1950 Hazard, Kentucky<br />
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<span style="color: #9999ff; font-weight: bold;">Education</span><br />
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<span style="font-weight: bold;">1986-1989 Massachusetts College of Art</span>, Boston, MA<br />
Degree: Master of Fine Arts<br />
Major : Photography<br />
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<span style="font-weight: bold;">1974-1975 University of Iowa</span>, Iowa City, IA<br />
Degree: Master of Arts<br />
Major: Photography<br />
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<span style="font-weight: bold;">1969-1974 Cleveland Institute of Art</span>, Cleveland, OH<br />
Degree: Bachelor of Fine Arts<br />
Major: Photography<br />
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<span style="color: #9999ff; font-weight: bold;">Awards:</span><br />
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<span style="font-weight: bold;">2010</span> <span style="font-weight: bold;">Guggenheim Photography Fellowship, </span>NYC, NY<br />
<span style="font-weight: bold;"><br />1999 The Peter S. Reed Foundation, Inc. </span>New York City, NY<br />
Photography Grant<br />
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<span style="font-weight: bold;">1992 National Endowment for the Arts,</span> Washington, DC<br />
Photography Fellowship<br />
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<span style="font-weight: bold;">1992-1989 Polaroid Corporation,</span> Cambridge, MA<br />
Artist Support Grant, four consecutive years<br />
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<span style="font-weight: bold;">1990 The Elizabeth Firestone Graham Foundation, </span>Akron, OH<br />
Artist Support Grant<br />
<span style="font-weight: bold;"> Mother Jones International D</span><span style="font-weight: bold;">ocumentary Photography Competition,</span><br />
San Francisco, CA, Finalist Award<br />
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<span style="font-weight: bold;">1989 Massachusetts Artist Fellowship Program,</span> Boston, MA<br />
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<span style="font-weight: bold;">1978 National Endowment for the Arts, </span>Washington, DC<br />
One of seven photographers selected to photograph within the state of Kentucky,<br />
publication produced, <span style="font-weight: bold;">"Appalachia: A Self-Portrait,"</span> Survey Grant<br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj8lD9YDCaymJYDBWvJXD8GaYTHrPqYKQFPPhiGKSGHATgxiULXK23Udz3vh0LzTCMPRJuMiLJ_hWS31D1PLrtLAdqkvOZElIXWsjd11PEMoccCitBY0ISlfiVB_1djBupfAI9YKw7bAWQ/s1600-h/ChildrenAtTopmost,91.jpg"><img alt="" border="0" id="BLOGGER_PHOTO_ID_5048972593147345362" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj8lD9YDCaymJYDBWvJXD8GaYTHrPqYKQFPPhiGKSGHATgxiULXK23Udz3vh0LzTCMPRJuMiLJ_hWS31D1PLrtLAdqkvOZElIXWsjd11PEMoccCitBY0ISlfiVB_1djBupfAI9YKw7bAWQ/s400/ChildrenAtTopmost,91.jpg" style="cursor: pointer; display: block; margin: 0px auto 10px; text-align: center;" /></a><br />
<span style="font-weight: bold;">Children at Topmost, '91</span><br />
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<span style="font-weight: bold;"><span style="color: #9999ff;">Work in Selected Permanent Collections</span></span></div><div style="text-align: left;"><span style="font-weight: bold;"><span style="color: #9999ff;"><br /></span></span></div><div style="text-align: left;"><span style="font-weight: bold;"><span style="color: #cccccc;">2023 Weatherspoon Art Museum, UNC, Greensboro, NC</span></span></div><div style="text-align: left;"><span style="color: #9999ff;"><span style="caret-color: rgb(153, 153, 255);"><b><br /></b></span></span></div><div style="text-align: left;"><span style="caret-color: rgb(153, 153, 255);"><b><span style="color: #eeeeee;">2022 Philadelphia Museum of Art, Philadelphia, PA</span><br /></b></span>
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<span style="font-weight: bold;"><span style="color: #cccccc;"><b>2016 Smart Museum of Art, </b>University of Chicago, Chicago, IL</span></span><br />
<span style="font-weight: bold;"><span style="color: #cccccc;">Crocker Art Museum, Sacramento, CA</span></span><br />
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<span style="font-weight: bold;">2014 - to Date </span>Center for Creative Photography, Tucson, AZ</div><div style="text-align: left;"><span> <span> [ Where archive is maintained.]</span></span><br />
The J. Paul Getty Museum, LA, CA<br />
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<span style="color: #d0e0e3; font-weight: bold;">2012 Ogden Museum of Southern Art, New Orleans, LA</span></div>
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<span style="font-weight: bold;"></span><span style="font-weight: bold;"><span style="color: #9999ff;"><span style="color: black;"><span class="Apple-style-span" style="color: #9999ff;"><span class="Apple-style-span" style="color: #cccccc;">2011 WestLicht. Schauplatz fur Fotografie, Vienna, Austria</span></span></span></span></span><br />
<span style="font-weight: bold;"><span class="Apple-style-span" style="color: #cccccc;"><br /></span><span class="Apple-style-span" style="color: #cccccc;">2010 Adrian College, </span></span><span style="color: #9999ff;"><span style="color: black;"><span class="Apple-style-span" style="color: #cccccc;">Adrian, MI</span></span></span><br />
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<span style="font-weight: bold;"><span style="color: #9999ff;"><span style="color: black;"></span></span>2008 Salisbury University,</span> Salisbury, MD<span style="font-weight: bold;"><br /><br />2007 The University of Louisville, </span>Photo Archives, Louisville, KY<br />
<b>The Zimmerli Art Museum at Rutgers University</b>, Brunswick, NY</div>
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<span style="font-weight: bold;"><br />2006 High Museum of Art, </span>Atlanta, GA<br />
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<span style="font-weight: bold;">2004 The William J. Clinton Presidential Library,</span> Little Rock, ARK<br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEirhab8x2pQZg8rQpAFjd73MPl8dc0p7ypfDv5oo9uFACelFokrTkDNMfHNWNSQ84xauTmg58PdooCYJXEM6F4ASC_tYTnNUIiozcQe5dKdW99keOIsv7smWontfM77dQRQpTGlIb8Nu_s/s1600-h/Leddie&Children,90.jpg"><img alt="" border="0" id="BLOGGER_PHOTO_ID_5049341801421011442" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEirhab8x2pQZg8rQpAFjd73MPl8dc0p7ypfDv5oo9uFACelFokrTkDNMfHNWNSQ84xauTmg58PdooCYJXEM6F4ASC_tYTnNUIiozcQe5dKdW99keOIsv7smWontfM77dQRQpTGlIb8Nu_s/s400/Leddie&Children,90.jpg" style="cursor: pointer; display: block; height: 312px; margin: 0px auto 10px; text-align: center; width: 400px;" /></a></div>
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<span style="font-weight: bold;">Leddie and Children, '90</span><br />
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<span style="font-weight: bold;">2003 The Gallery At Windsor, </span>Vero Beach, FA<br />
<span style="font-weight: bold;">Whitney Museum of American Art, </span>New York, NY<br />
<span style="font-weight: bold;"> Victoria and Albert Museum</span>, London, England<br />
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<span style="font-weight: bold;">2002 Cedar Rapids Museum of Art,</span> Cedar Rapids, IA<br />
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<span style="font-weight: bold;">2000 The College of Santa Fe,</span> Marion Center for Photographic Arts,<br />
Santa Fe, NM<br />
<span style="font-weight: bold;">Maison Europeenne de la Photographie, </span>Paris, France<br />
<span style="font-weight: bold;">The New York Public Library, </span>New York City, NY<br />
<span style="font-weight: bold;">The Victor Barsokevitsch Photography Center,</span> Kupoio, Finland<br />
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<span style="font-weight: bold;">1999 and '04 The Snite Museum of Art, </span>University of Notre Dame, IN<br />
<span style="font-weight: bold;">Kalamazoo Institute of Arts, </span>Kalamazoo, MI<br />
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<span style="font-weight: bold;">1998 Musee De L'Elysee Lausanne, </span>Lausanne, Switzerland<br />
<span style="font-weight: bold;"> Dallas Museum of Art,</span> Dallas, TX<br />
<span style="font-weight: bold;"> Ohio Wesleyan University, </span>Delaware, OH</div>
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<b>The Bank of America, <span class="Apple-style-span" style="font-weight: normal;">New York City, NY</span></b></div>
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<span style="font-weight: bold;">1997 University Art Gallery, </span>New Mexico State University, Las Couces, NM<br />
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<span style="font-weight: bold;">1996 Stedelijk Museum, </span>Amsterdam, Netherlands<br />
<span style="font-weight: bold;">The National Gallery of Canada, </span>Ottawa, CA<br />
<span style="font-weight: bold;">Lamar Dodd Art Center, </span>LaGrange College, LaGrange, GA<br />
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<span style="font-weight: bold;">1995 The Amon Carter Museum, </span>Fort Worth, TX<br />
<span style="font-weight: bold;"> Columbus Museum of Art</span>, Columbus, OH<br />
<span style="font-weight: bold;">The Museum of Contemporary Photography, </span>Columbia College, Chicago, IL.<br />
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<span style="font-weight: bold;">1994 Art Institute of Chicago, </span>Chicago, IL<br />
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<span style="font-weight: bold;">1993 Photography Collection III - The Steinman Gift, </span>Boca Raton Museum of Art,<br />
Boca Raton, FL<br />
<span style="font-weight: bold;"> The Graham Nash Collection,</span> Manhattan Beach, CA<br />
<span style="font-weight: bold;"> Middle Tennessee State University</span>, Murfreesboro, TN<br />
<span style="font-weight: bold;">The Nelson-Atkins Museum of Art, </span>Kansas City, MI<br />
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<span style="font-weight: bold;">1992 and 95 International Center of Photography, </span>NYC, NY<br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj1Q6ape13vIggG8WEXW5DCo6r3FV6SH_8QMBSsHZnvjJF8F4glBQbS-5vBm5tUmxVV_ZerMOyMDDgFuWzxXAz-ZnudqQnHkcRrG9V4nd6PLfx09-iFxYQMBjYGuSZpgk3zD1BjZd7lGyc/s1600-h/BeaverGap,98.jpg"><img alt="" border="0" id="BLOGGER_PHOTO_ID_5308269475192864658" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj1Q6ape13vIggG8WEXW5DCo6r3FV6SH_8QMBSsHZnvjJF8F4glBQbS-5vBm5tUmxVV_ZerMOyMDDgFuWzxXAz-ZnudqQnHkcRrG9V4nd6PLfx09-iFxYQMBjYGuSZpgk3zD1BjZd7lGyc/s400/BeaverGap,98.jpg" style="cursor: pointer; display: block; height: 316px; margin: 0px auto 10px; text-align: center; width: 400px;" /></a><span style="font-weight: bold;">Beaver Gap,'98</span><br />
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<span style="font-weight: bold;">1992 Danforth Museum of Art, </span>Framington, MA<br />
<span style="font-weight: bold;">Time Life Collection, Rockefeller Center, </span>NYC, NY<br />
<span style="font-weight: bold;">Los Angeles County Museum of Art</span>, Los Angeles, CA<br />
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<span style="font-weight: bold;">1991 and '99 The Carpenter Center of the Visual Arts, </span>Harvard University,<br />
Cambridge, MA<br />
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<span style="font-weight: bold;">1991 San Francisco Museum of Modern Art, </span>San Francisco, CA<br />
<span style="font-weight: bold;"> Center for Creative Photography</span>, Tucson, AZ<br />
<span style="font-weight: bold;">University of Wyoming Art Museum, </span>Laramie, WY<br />
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<span style="font-weight: bold;">1989-93 Polaroid Collection, </span>Cambridge, MA<br />
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<span style="font-weight: bold;">1989 Museum of Photographic Arts, </span>San Diego, CA<br />
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<span style="font-weight: bold;">1988 Bayly Art Museum, </span>University of Virginia, Charlottesville, VA<br />
<span style="font-weight: bold;"> Corcoran Gallery of Art</span>, Washington, DC<br />
<span style="font-weight: bold;">University Art Museum,</span> University of New Mexico, Albuquerque, NM<br />
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<span style="font-weight: bold;">1985 and '91 The Museum of Fine Arts Houston, </span>Houston, TX<br />
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<span style="font-weight: bold;">1984 and '95 The Cleveland Museum of Art, </span>Cleveland, OH<br />
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<span style="font-weight: bold;">1983 The Museum of Modern Art, </span>NYC, NY<br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi-kxYyLrZYM9XWWKAfS7ZejaxgwBMkTEUHDJiq_C_mYbhEpOrUHvfV1O_VlFKoTzAGCyCaetwsCdlqKCPO0wMpSxbGCNCsQYMcGZJFU9w9B-MnoFdvqR6_oIAqI4rynlRIuMTya3ytZeY/s1600-h/OldCoupleaAt-Stenger'sCafe,.jpg"><img alt="" border="0" id="BLOGGER_PHOTO_ID_5049341805715978770" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi-kxYyLrZYM9XWWKAfS7ZejaxgwBMkTEUHDJiq_C_mYbhEpOrUHvfV1O_VlFKoTzAGCyCaetwsCdlqKCPO0wMpSxbGCNCsQYMcGZJFU9w9B-MnoFdvqR6_oIAqI4rynlRIuMTya3ytZeY/s400/OldCoupleaAt-Stenger'sCafe,.jpg" style="cursor: pointer; display: block; margin: 0px auto 10px; text-align: center;" /></a><br />
<span style="font-weight: bold;">Old Couple at</span><b> Stenger's</b><span style="font-weight: bold;"> Cafe, '81</span><br />
[Photo was couples wedding photograph.]<br />
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<span style="font-weight: bold;"> The Smithsonian American Art Museum,</span> Washington, DC<br />
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<span style="font-weight: bold;">1979 University of Kentucky, </span>Lexington, KY<br />
<span style="font-weight: bold;">Clarence John Laughlin-Library and Art Collection, </span>New Orleans Museum of Art,<br />
New Orleans, LA<br />
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<span style="font-weight: bold;">1977, 79, 99 and 2005 Cincinnati Art Museum, </span>Cinti, OH<br />
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<span style="font-weight: bold;">1975 The University of Iowa, </span>Iowa City, IA<br />
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<span style="font-weight: bold;">1974 The Cleveland Institute of Art, </span>Cleveland, OH<br />
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<div style="text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgpSVdU7gs5CYtrFI3BnA_GiQJb2Q6xjYQioM2fWjewuf6bHaIK3xcY8LEg_hdvlsGF_VyBZK7-YTzP-qKl-c2w2VngkLFDKz3rinKxK1fhHdYD2VmQH7c-oGXk2RcNC3bBhEHOL_0isoc/s1600-h/The-NewsomeChildren,97.jpg"><img alt="" border="0" height="444" id="BLOGGER_PHOTO_ID_5049341805715978786" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgpSVdU7gs5CYtrFI3BnA_GiQJb2Q6xjYQioM2fWjewuf6bHaIK3xcY8LEg_hdvlsGF_VyBZK7-YTzP-qKl-c2w2VngkLFDKz3rinKxK1fhHdYD2VmQH7c-oGXk2RcNC3bBhEHOL_0isoc/s400/The-NewsomeChildren,97.jpg" style="display: block; height: 278px; margin: 0px auto 10px; text-align: center; width: 400px;" width="640" /></a><span style="font-weight: bold;">The </span><span style="font-weight: bold;">Newsome</span><span style="font-weight: bold;"> Children, '97</span><br />
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<span style="font-weight: bold;"><span style="color: #9999ff;">Selected Solo Exhibitions</span></span></div><div style="text-align: left;"><span style="color: #9999ff;"><span style="caret-color: rgb(153, 153, 255);"><b><br /></b></span></span></div><div style="text-align: left;"><span style="color: #cadee5;"><span><span><b><span style="caret-color: rgb(153, 153, 255);">2023 Paul Paletti Gallery, "From the Heads of the Hollers," Oct. 5th - Dec. 31st, Louisville, KY, Exhibition and </span></b></span></span><b style="caret-color: rgb(153, 153, 255);"><span><span>Book signing, Publisher GOST Books, London</span></span></b></span></div><div style="text-align: left;">
<span style="font-weight: bold;"><span style="color: #9999ff;"><br /></span></span>
<span style="font-weight: bold;"><span style="color: #cccccc;"><b style="font-weight: bold;">2017 Paul Paletti Gallery, </b><i style="font-weight: bold;">Finding Heaven in a Holler, </i>First all color exhibition by the artist, </span></span><span style="font-weight: bold;"><span style="color: #eeeeee;"><span style="color: #cccccc;"><b>Sept. 22nd - Dec. 31, 2017, </b></span></span></span><span style="color: #cccccc;">Louisville,</span><span style="color: #eeeeee;"><b> </b></span><span style="color: #cccccc;">KY</span><br />
<span style="color: #eeeeee;"><span style="font-weight: bold;"><span style="color: #9999ff;"><span style="color: #cccccc;"><b>The University of Wyoming, </b>Laramie Wyoming</span></span></span></span><br />
<span style="font-weight: bold;"><span style="color: #9999ff;"><br /></span></span>
<b>2013</b><b> Salisbury University,</b> exhibition and artist in residence, Salisbury, MD<br />
<span style="font-weight: bold;"><span style="color: #9999ff;"><br /></span></span>
<span style="color: #cccccc; font-weight: bold;">2012-13 Ogden Museum of Southern Art, New Orleans, LA</span></div>
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<span style="font-weight: bold;"><span style="color: #cccccc;"><br /></span></span></div>
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<span class="Apple-style-span" style="color: #cccccc;"><b>2012 Paul Paletti Gallery, Louisville, KY</b></span></div>
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<span class="Apple-style-span" style="color: #cccccc;"><span class="Apple-tab-span" style="white-space: pre;"><b> </b></span><b> Catherine Edelman Gallery, Chicago, IL</b></span></div>
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<span class="Apple-style-span" style="color: #cccccc;"><b>2011-12 Candela Gallery, Richmond, VA</b></span></div>
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<span class="Apple-style-span" style="color: #9999ff;"><b><br /></b></span></div>
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<span class="Apple-style-span" style="color: #9999ff;"><b><span class="Apple-style-span" style="font-weight: normal;"><b><span class="Apple-style-span" style="color: #cccccc;">2011 Davis/Orton Gallery,</span></b><span class="Apple-style-span" style="color: #cccccc;"> Hudson, NY</span></span></b></span></div>
<div style="text-align: left;">
<span class="Apple-style-span" style="color: #9999ff;"><b><span class="Apple-style-span" style="font-weight: normal;"><span class="Apple-style-span" style="color: #cccccc;">EFTI, <b>Escuela de fotografia y Centro de Imagen, Madrid, Spain</b></span></span></b></span></div>
<div style="text-align: left;">
<span class="Apple-style-span" style="color: #9999ff;"><b><span class="Apple-style-span" style="font-weight: normal;"><span class="Apple-style-span" style="color: #cccccc;"><b>Fahey/Klein Gallery, Los Angles, CA</b></span></span></b></span></div>
<div style="text-align: left;">
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<span style="font-weight: bold;">2009</span> <span style="font-weight: bold;">Fahey/Klein Gallery, </span>Los Angles, CA<br />
<span style="font-weight: bold;">Elkton Gallery,</span> Cecil College, Elkton, MD<br />
<span style="font-weight: bold;">Adrian College, </span>Adrian, MI<br />
<span style="font-weight: bold;"><br />2008 The Gate Way to Heaven Church, </span>Lost Creek, KY<br />
Benefit for subjects and celebration of 35 years photographing.<br />
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<b>2007 Paul Paletti Gallery,</b> Louisville, KY<br />
<span style="font-weight: bold;"> PhotoEspana 07,</span> Sala Canal Isabel II, Madrid, Spain<br />
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<span style="font-weight: bold;">2006 Lexington Art Gallery, </span>Lexington, VA<br />
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<span style="font-weight: bold;">2005 Carl Solway Gallery, </span>Cincinnati, OH<br />
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<span style="font-weight: bold;">2004 Middle Tennessee State University, </span>Murfreesboro, Tenn<br />
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<span style="font-weight: bold;">2003 Fahey/Klein Gallery, </span>Los Angeles, CA<br />
<span style="font-weight: bold;">Yossi Milo Gallery, </span>New York City, NY<br />
<span style="font-weight: bold;"> ACTA International, </span>International Photography Festival of Rome, Italy<br />
<br />
<span style="font-weight: bold;">2002 Yossi Milo Gallery, </span>New York City, NY<br />
<span style="font-weight: bold;"> Bassetti Fine Art Photographs,</span> New Orleans, LA<br />
<span style="font-weight: bold;">Catherine Edelman Gallery, </span>Chicago, IL.<br />
<span style="font-weight: bold;">Stephen Bulger Gallery, </span>Toronto, Ontario<br />
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<span style="font-weight: bold;">2001 Photographs Do Not Bend Gallery, </span>Dallas, TX<br />
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<span style="font-weight: bold;">1999 Bassetti Fine Art Photography,</span> New Orleans, LA<br />
<span style="font-weight: bold;">Stephen Bulger Gallery,</span> Toronto, Ontario<br />
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<span style="font-weight: bold;">1998 Musee de I'Elysee Lausanne,</span> Lausanne, Switzerland<br />
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<br />
<div style="text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgCjcqLic8xMSOEIKPOYhmcNqtPjLy2SzjF6Um-3g5PgS_36K5acnBXnSgmRjwobSzBxsnm0biddgY8EYRmZYZUWa_-rXNRHrhARYD2mUj1Ex1kNeURh3hoFKcqfMvJn9ZoyAdHX7ktZRw/s1600-h/Brother'sPraying,93.jpg"><img alt="" border="0" id="BLOGGER_PHOTO_ID_5050092581774091410" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgCjcqLic8xMSOEIKPOYhmcNqtPjLy2SzjF6Um-3g5PgS_36K5acnBXnSgmRjwobSzBxsnm0biddgY8EYRmZYZUWa_-rXNRHrhARYD2mUj1Ex1kNeURh3hoFKcqfMvJn9ZoyAdHX7ktZRw/s400/Brother'sPraying,93.jpg" style="cursor: pointer; display: block; margin: 0px auto 10px; text-align: center;" /></a><span style="font-weight: bold;">Brother's Praying, '93</span><br />
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<span style="font-weight: bold;">Shelby's Dinner On the Ground and Book Signing, </span>Celebration for<span style="font-weight: bold;"> </span>friends and subjects of<br />
"Appalachian Legacy," Perry Co. Park, Hazard, KY<br />
<span style="font-weight: bold;">Yancey Richardson Gallery, </span>New York City, NY<br />
<span style="font-weight: bold;">Catherine Edelman Gallery, </span>Chicago, IL<br />
<span style="font-weight: bold;">Photography Do Not Bend Gallery, </span>Dallas, TX<br />
<br />
<span style="font-weight: bold;">1997 La Galerie VOX, </span>Monteral, Quebec<br />
<br />
<span style="font-weight: bold;">1996 Photographs Do Not Bend Gallery, </span>Dallas, TX<br />
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<div style="text-align: center;">
<span style="font-weight: bold;"><span class="Apple-style-span" style="font-weight: normal;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiK1UJlhg79R-3df7eg-1A0qx1t2jdkgiq9LHdgK_KacoeUGCYZAq_obJ9XHe2hAOXTDGUJKEupLvIgh76Z5aGAZlUB4Up2HvyEm-UyKZ8foP_3aPmSRwcNtpQmhLAU5RapBej5iF1Ntk8/s1600/TheKitchen,97***.tif" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="270" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiK1UJlhg79R-3df7eg-1A0qx1t2jdkgiq9LHdgK_KacoeUGCYZAq_obJ9XHe2hAOXTDGUJKEupLvIgh76Z5aGAZlUB4Up2HvyEm-UyKZ8foP_3aPmSRwcNtpQmhLAU5RapBej5iF1Ntk8/s320/TheKitchen,97***.tif" width="400" /></a></span></span><br />
<span style="font-weight: bold;">The Kitchen, '97</span><br />
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<span style="font-weight: bold;">1995 Stephen Bulger Gallery,</span> Toronto, Ontario<br />
<span style="font-weight: bold;">Cleveland Museum of Art,</span> Cleveland, OH<br />
<span style="font-weight: bold;">USVA, FotoGalerie,</span> Groningen, The Netherlands<br />
<span style="font-weight: bold;">OK Harris Works of Art,</span> New York City, NY<br />
<br />
<span style="font-weight: bold;">1994 International Center of Photography, </span>Midtown, NYC, NY<br />
<span style="font-weight: bold;">Catherine Edelman Gallery,</span> Chicago, IL<br />
<span style="font-weight: bold;">Etherton Gallery, </span>Tucson, AZ<br />
<span style="font-weight: bold;">Northern Illinois University, </span>DeKalb, IL<br />
<br />
<span style="font-weight: bold;">1993 Robert Koch Gallery,</span> San Francisco, CA<br />
<span style="font-weight: bold;">OK Harris Works of Art,</span> New York City, NY<br />
<span style="font-weight: bold;">University of Notre Dame, </span>Notre Dame, IN<br />
<br />
<span style="font-weight: bold;">1992 Middle Tennessee State University,</span> Murfreesboro, TN<br />
<br />
<span style="font-weight: bold;">1991 Photographic Resource Center,</span> Boston, MA<br />
<span style="font-weight: bold;">University of California, </span>Berkeley, CA<br />
<br />
<span style="font-weight: bold;">1989 Harvard Fogg Museum, </span>Cambridge, MA<br />
<span style="font-weight: bold;">University of Rhode Island,</span> Kingston, RI<br />
<span style="font-weight: bold;">Michigan State University,</span> East Lansing, MI<br />
<br />
<span style="font-weight: bold;">1988 Visual Studies Workshop,</span> Rochester, NY<br />
<br />
<span style="font-weight: bold;">1987 The University of Alabama,</span> University, AL<br />
<span style="font-weight: bold;">Massachusetts College of Art,</span> Boston, MA<br />
<br />
<span style="font-weight: bold;">1986 Governors State University,</span> Park Forest South, IL<br />
<span style="font-weight: bold;">Salem State College,</span> Salem, MA<br />
<br />
<span style="font-weight: bold;">1985 University of Illinois,</span> Chicago Campus, Chicago, IL<br />
<span style="font-weight: bold;">Project Arts Center, </span>Cambridge, MA<br />
<span style="font-weight: bold;">Texas Tech University, </span>Lubbock, TX<br />
<br />
<span style="font-weight: bold;">1984 Southern Light Gallery,</span> Amarillo, TX<br />
<span style="font-weight: bold;">Photography Eye Gallery,</span> San Francisco, CA<br />
<span style="font-weight: bold;">Center for Creative Studies, </span>Detroit, MI<br />
<br />
<span style="font-weight: bold;">1983 Photogenesis Workshop and Gallery, </span>Albuquerque, NM<br />
<span style="font-weight: bold;">Southern Illinois University, </span>Carbondale, IL<br />
<span style="font-weight: bold;">Governors State University, </span>Park Forest South, IL<br />
<span style="font-weight: bold;">University of Delaware, </span>Newark, DE<br />
<br />
<span style="font-weight: bold;">1982 The Simon Gallery, </span>Montclair, NJ<br />
<span style="font-weight: bold;"> Light Work, </span>Syracuse University, Syracuse, NY<br />
<span style="font-weight: bold;">Silver Bullet Gallery, </span>Providence, RI<br />
<br />
<span style="font-weight: bold;">1981 Colorado State University,</span> Fort Collins, CO<br />
<span style="font-weight: bold;">Illinois Central College, </span>East Peoria, IL<br />
<br />
<span style="font-weight: bold;">1980 University of Dayton, </span>Dayton, OH<br />
<br />
<br />
<div style="text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhxF9sxNOvuvU3MX1tjGL7c38zN9rxws6ZpkaRnxD_IU8Ukyj32iPawQCvfGfUQtGMrpg2bFF4Jqymg9SfNTcAduLbWKHA2vXrQjl72TEATf99uQ_djN35MV8NHpyiZX_deGzTgsOo-UP8/s1600-h/ShanaFaye&StephanieLynn,01.jpg"><img alt="" border="0" id="BLOGGER_PHOTO_ID_5050101880378287298" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhxF9sxNOvuvU3MX1tjGL7c38zN9rxws6ZpkaRnxD_IU8Ukyj32iPawQCvfGfUQtGMrpg2bFF4Jqymg9SfNTcAduLbWKHA2vXrQjl72TEATf99uQ_djN35MV8NHpyiZX_deGzTgsOo-UP8/s400/ShanaFaye&StephanieLynn,01.jpg" style="cursor: pointer; display: block; margin: 0px auto 10px; text-align: center;" /></a><span style="font-weight: bold;">Shauna Faye and Stephanie Lynn, '91</span><br />
<span style="font-weight: bold;"><br /></span></div>
<div style="text-align: center;">
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<span style="font-weight: bold;"><span style="color: #9999ff;">Traveling Exhibitions</span></span><br />
<span style="color: #999999;"><span style="color: #999999; font-weight: bold;"><span style="color: #9999ff;"><br /></span></span>
<span style="font-weight: bold;"><span style="color: #eeeeee;"><b style="font-weight: bold;">2018 - 2020 "The Extended Moment: Fifty Years of Collecting Photographs."</b><span style="color: #eeeeee;"><b> </b><span style="color: #999999;">National</span></span><b> </b></span></span></span><span style="color: #999999;">Gallery of Canada, Ottawa</span><br />
<span style="font-weight: bold;"><span style="color: #999999;"><b style="font-weight: bold;">The Morgan Library and Museum, </b>New York City, with Catalogue, Ann Thomas and John <b>McElhone, 1 photograph. </b></span></span><br />
<span style="color: #999999;"><span style="font-weight: bold;"><span style="color: #9999ff;"><br /></span></span>
<b> 2018 - 21"Southbound: Photographs of and About the New South," </b>Invitational exhibiti</span>on with 55 photographers represented, catalogue, web site and film, exhibit will travel to other venues, including The Hunter Museum, Chattanooga,TN. Organized by the Haley Institute of Contemporary Art at the College of Charleston, Charleston, South Carolina. 10 images represented.<br />
<span style="font-weight: bold;"><span style="color: #9999ff;"><br /></span></span>
<span style="font-weight: bold;">2017 - 2023 </span><span style="font-weight: bold;">"The Polaroid Art and Technology Project," Curated by Barbara Hitchcock and William A. Ewing, in collaboration with M.I.T. Museum, Cambridge, the Westlicht Museum, Vienna, opens at the Amon Carter Museum, Fort Worth, Texas, travels to Asia and extended to Foundation Barrie in La Coruna, Spain which has made a 15 min. video of exhibition of which two of artist Polaroids are included, exhibition ends at the M.I.T. Museum in 2023. Thames and Hudson Publisher. Photographer has five images represented. Over 100 photographers will participate.<br /><br /><b>1998 - 2001 "Shelby Lee Adams, Appalachian Portraits", </b></span>Organized by <span style="font-weight: bold;">The</span> <span style="font-weight: bold;">Musee de</span> <span style="font-weight: bold;">l'Elysee Lausanne,</span> Curator William Ewing, 70 print exhibition, Premier European Exhibition<br />
Lausanne, Switzerland, 1998<br />
<span style="font-weight: bold;">30th Annual Rencontres International Festival of Photography</span>, Exhibition and lecture, Abbaye de Montmajour, Arles, France, 1999<br />
<span style="font-weight: bold;">The Fifth International Photography Biennial</span>, Fotonoviembre 1999, Santa Cruz de Tenerife, 1999<br />
<span style="font-weight: bold;">The Victor Barsokevitch Photographic Center</span>, catalogue and poster, Kuoplo, Finland, 2000<br />
<br />
<br />
<div style="text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEik3HM32jcyfPzkaLgXoc60MjNUbc7Bh2jAfHs6Lda4kyMyb5SfotHGSRDePB5VOzHykZD0U9bD78gaD8WcenjqdsQ9Ux2yHNcM5KIMS3w_7gyp3m9NsMB_xIKxdXffNkO-cWhmGrMkOEQ/s1600-h/TheHall'sPorch,98.jpg"><img alt="" border="0" id="BLOGGER_PHOTO_ID_5050092586069058738" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEik3HM32jcyfPzkaLgXoc60MjNUbc7Bh2jAfHs6Lda4kyMyb5SfotHGSRDePB5VOzHykZD0U9bD78gaD8WcenjqdsQ9Ux2yHNcM5KIMS3w_7gyp3m9NsMB_xIKxdXffNkO-cWhmGrMkOEQ/s400/TheHall'sPorch,98.jpg" style="cursor: pointer; display: block; margin: 0px auto 10px; text-align: center;" /></a><span style="font-weight: bold;">The Hall's Porch '98</span><br />
<br />
<div style="text-align: left;">
<span style="color: #9999ff; font-weight: bold;">Books</span></div><div style="text-align: left;"><span style="color: #9999ff; font-weight: bold;"><br /></span></div><div style="text-align: left;"><span style="color: #fcfcfc; font-weight: bold;">2023 "From the Heads of the Hollers," 89 photographs, GOST Books, London, 11 x 14 inches, Hardbound only.</span></div>
<div style="text-align: left;">
<span class="Apple-style-span" style="color: #9999ff;"><b><br /></b></span></div>
<div style="text-align: left;">
<b>2011 "salt and truth," <span class="Apple-style-span" style="font-weight: normal;">Introduction by James Enyeart, text by Catherine Evans and author, 80 Tri-tone reproductions, Meridian Printing, Publisher </span>Candela Books<span class="Apple-style-span" style="font-weight: normal;">, Richmond,VA, DAP distributor, </span></b><span class="Apple-style-span" style="color: #eeeeee;">Two separate clamshell encased Limited Edition 8x10 inch gelatin silver prints/books</span></div>
<div style="text-align: left;">
<b><span class="Apple-style-span" style="font-weight: normal;"><span class="Apple-style-span" style="color: #eeeeee;">in numeration of 35 each. Photograph titles, F</span></span></b>rankie with Shucky Beans, '02 and Billy and Bethany with Coonskins, '03.<br />
<br /></div>
<div style="text-align: left;">
<span style="font-weight: bold;">2003 "Appalachian Lives," </span>Introduction and essay by Vicki Goldberg, text by author, 80 Duo tone reproductions, Topan Printer, University Press of Mississippi, Jackson, MS, Hardbound only<br />
<br />
<span style="font-weight: bold;">1998 "Appalachian Legacy," </span>Introduction and photography by author, additional text by subjects, 85 Duo tone reproductions, University Press of Mississippi, Jackson, MS, Hardbound and paper editions<br />
<br />
<span style="font-weight: bold;">1993 "Appalachian Portraits," </span>Introduction by Lee Smith, 52 Duo tone reproductions, University Press of Mississippi, Jackson, MS, Hardbound and paper editions with two separately encased limited edition slipcased 8x10 inch gelatin silver prints, collectors editions produced in numeration of 25 each. Photograph Titles, Brice and Crow on Porch, '92 and The Jacob Girls,'87.<br />
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<br /></div>
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiKzh0QVA_lzePzCD5XUglyPEM9Dy7NNY3waF0sfXtwcNylWcQTx_RlQPMjUGV9LscTbhnDakuiHtLSQBKZQcjaSNzK-L829vNA3RMU2R-JZ9Qw__V0XZBE8gmfq7vItSZdheBef113LUU/s1600-h/LostCreek-Bridge_97_tif.jpg"><img alt="" border="0" id="BLOGGER_PHOTO_ID_5308594877101017602" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiKzh0QVA_lzePzCD5XUglyPEM9Dy7NNY3waF0sfXtwcNylWcQTx_RlQPMjUGV9LscTbhnDakuiHtLSQBKZQcjaSNzK-L829vNA3RMU2R-JZ9Qw__V0XZBE8gmfq7vItSZdheBef113LUU/s400/LostCreek-Bridge_97_tif.jpg" style="cursor: pointer; display: block; height: 289px; margin: 0px auto 10px; text-align: center; width: 400px;" /></a></div>
<div style="text-align: center;">
<span style="font-weight: bold;">Lost Creek Bridge,'97</span><br />
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<span style="font-weight: bold;"><br /></span>
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<span style="font-weight: bold;"><span style="color: #9999ff;">Selected Publications</span></span></div><div style="text-align: left;"><span style="font-weight: bold;"><span style="color: #9999ff;"><br /></span></span></div><div style="text-align: left;"><span style="font-weight: bold;"><span style="color: #cccccc;">2023 "</span></span><span style="font-family: Helvetica; font-size: 10.5pt;"><span style="color: #cccccc;">A Long Arc: Photography and the American South.” Group exhibition and publication, Aperture, NYC with exhibit at the High Museum of Art, Atlanta, 1 photo. </span></span></div><div style="text-align: left;"><p class="MsoNormal" style="font-family: Calibri, sans-serif; margin: 0in;"><span style="font-family: Helvetica; font-size: 10.5pt;"> </span></p></div><div style="text-align: left;"><span style="caret-color: rgb(153, 153, 255);"><b><span style="color: #d0e0e3;">2022 "Reckonings and Reconstructions," Georgia Museum of Art, catalogue, Athens, GA</span><br /></b></span>
<br />
<span style="color: #f3f3f3;"><span style="caret-color: rgb(153, 153, 255);"><b>2020 "Black & White Magazine," Issue #138, Shelby Lee Adams_Appalachian Portraits,13 photos, 10 page spread, Interview with David Best, Navato, CA</b></span></span><br />
<span style="color: #f3f3f3;"><span style="caret-color: rgb(153, 153, 255);"><b>Kid's Wear, Vol.50, 25th </b></span></span><span style="color: #f3f3f3;"><span style="caret-color: rgb(243, 243, 243);"><b>Anniversary, Koln, Germany, 1 photo represented</b></span></span><br />
<span style="font-weight: bold;"><span style="color: #9999ff;"><br /></span></span>
<span style="font-weight: bold;"><span style="color: #cccccc;">2019" The History of Fine Art Photography and Modern Painting," Claudio Edinger, author and editor, one image and biography, </span></span><span style="color: #cccccc; font-weight: bold;">San Paulo, Brazil</span><br />
<span style="color: #cccccc; font-weight: bold;">"True To The Eyes, The Howard and Carole Tanenbaum Photo Collection," book and exhibition, Publisher Hirmer/Ryerson University, Toronto</span><br />
<span style="color: #cccccc; font-weight: bold;">"Iowa Magazine," <i>Soul Searching, </i>article by Josh O'Leary, University of Iowa, Iowa City, article and 4 images reproduced.</span><br />
<span style="font-weight: bold;"><span style="color: #9999ff;"><br /></span></span>
<span style="font-weight: bold;"><span style="color: #cccccc;"><b>2017 "Subjective Objective: A Century of Social Photography," </b>The Zimmerli<b> </b>Art Museum at Rutgers University, catalogue and group exhibition, one photograph in exhibition and catalogue, Brunswick, NJ</span></span><br />
<span style="font-weight: bold;"><span style="color: #cccccc;"><b>"Salt-Of-The Earth,"</b> PortfolioMagazineNaples, Interview with Ara Hawkins, 10 page layout by Bill Hemmer, designer and publisher, Naples, FLA</span></span><br />
<span style="font-weight: bold;"><span style="color: #cccccc;"><br /></span></span>
<span style="font-weight: bold;"><span style="color: #cccccc;">2017-2020 "The Polaroid Project, At the Intersection of Art and Technology," Editors, William Ewing and Barbara Hitchcock, among others, Photographer has 3 images reproduced in catalogue and 5 in exhibit. Publisher Thames and Hudson, London, Great Britain, International traveling exhibition. </span></span><br />
<span style="font-weight: bold;"><span style="color: #9999ff;"><br /></span></span>
<span style="font-weight: bold;"><span style="color: #cccccc;"><b>2016 "There was a whole collection made: Photography from Lester and Betty Guttman," </b>Edited by Laura Letinsky and Jessica Moss, 2 images represented, Published by Smart Museum of Art, </span></span>University of Chicago, Chicago, IL<br />
<span style="font-weight: bold;"><span style="color: #9999ff;"><br /></span></span>
<span style="font-weight: bold;"><span style="color: #cccccc;"><b style="font-weight: bold;">2015 "Stories from the Camera, Reflections on the photograph," </b><b>Michele M. Penhall, editor, the collection of the University of New Mexico Art Museum, 3 images in collection, 1 image published, University of New Mexico Press,</b> Alb. NM</span></span><br />
<span style="font-weight: bold;"><span style="color: #9999ff;"><br /></span></span>
<span style="font-weight: bold;">2014 </span><b>"The Photographer's Playbook," e</b>ducational resource book with 280 contributors, Aperture, NYC, NY<br />
<b>"Kentucky Monthly," </b>Vol. 17, <i>Field Work, The Visionary Photography of Shelby Lee Adams,</i> Portfolio<i> </i>represented,<i> </i>Interview, Sean Patrick Hill, Frankfort, Kentucky<br />
<b>"We Connect, A Global Youth Citizenship Curriculum,"</b> Referenced "The Napier Family," Site for study,<b> </b>University of Minnesota, Saint Paul, MN<br />
<br />
<b>2013</b><span style="font-weight: bold;"> </span><span style="font-weight: bold;">"The Photography Collector's Guide," </span>Lee Witkin and Barbara London, 1979,<span style="font-weight: bold;"> </span>Revised by Lorraine Anne Davis, 1 photograph with one page of text and biography, Marquand Books, Seattle<br />
<br /></div>
<div style="text-align: left;">
<b>2012 "By Way of These Eyes: The Hyland Collection," </b>The American Museum in Britain, 3 photographs in exhibition and catalogue, Bath, Great Britain</div>
<div style="text-align: left;">
<br /></div>
<div style="text-align: left;">
<b>"Interview with Shelby Lee Adams, by Brooks Jensen," </b>LensWork, #98, Cover and extensive portfolio represented, with DVD slide show produced with audio interview, Anacortes, WA</div>
<div style="text-align: left;">
<br /></div>
<div style="text-align: left;">
<b>"Rurality Now," </b>Private, 6 images represented, #55, Paris, France</div>
<div style="text-align: left;">
<br /></div>
<div style="text-align: left;">
<b>"The Portrait Issue," </b>PDN, "An Ode to Appalachia," Edited text from "salt and truth," 8 images in portfolio published, NYC, NY<br />
<br />
<b>"19 Super Families," </b>Slanted Magazine, portfolio of 7 images represented, Karlsruhe, Germany</div>
<div style="text-align: left;">
<br /></div>
<div style="text-align: left;">
</div>
<div style="text-align: left;">
<b>2011 "Of Kentucky," New York Times, </b>featured<b> </b>portfolio<b> </b>full page, Nov. 13th, with NYT Internet slide show, NYC, NY</div>
<div style="text-align: left;">
<b>"Salt and Truth," </b><i>South X Southeast</i>, John Bennette review, 12 image portfolio, Vol. I,</div>
<div style="text-align: left;">
Pond House Publishing, Molene, GA</div>
<div style="text-align: left;">
<br />
<span style="font-weight: bold;">"Portraits from Appalachia,"</span> Renee Jacobs, writer/interviewer, <i>Black and White magazine</i>, Feature portfolio, article and cover of magazine, Subject: Guggenheim Party, Viper, KY, 15 images represented, issue #81, CA</div>
<div style="text-align: left;">
<br /></div>
<div style="text-align: left;">
<b>"From Polaroid To Impossible," </b>Barbara Hitchcock, Guest Curator, Rebekka Reuter, Chief Curator, Masterpieces of Instant Photography - The Westlicht Collection, WestLicht. Schauplatz fur Fotografie, exhibition and publication, Pub. Hatje Cantz, two photographs in exhibition, one in publication, Vienna, Austria</div>
<div style="text-align: left;">
<br />
<span style="font-weight: bold;">2010 "The Vigil,"</span> Smithsonian Magazine, March issue, <span style="font-style: italic;">Indelible Images Series</span>,Writer Abby Tucker, Revisit of photo, "The Home Funeral," Washington, DC<br />
<span style="font-weight: bold;">"Mercy,"</span>James Whitlow Delano, curator, Mado-sha publisher, Tokyo, Japan<br />
1 image represented, "Jane with Diddles," 1994.<br />
<br />
<span style="font-weight: bold;">2008 "To The Dogs", </span>Presentation House Gallery, Curator Peter Cully, Publication and exhibition, Vancouver, BC, one print<br />
<span style="font-weight: bold;"><span style="font-weight: bold;">2007 </span>"The Theatre of the Face", </span>Max Kozloff, author, critic, authoritative account of Portraiture today, Phaidon Press, London, 4 photographs and text<br />
<span style="font-weight: bold;">"Local, The End of Globalisation", </span>Paul Wombell, curator, publication catalogue for<br />
07' PHOTOESPANA, Madrid, Spain, 5 photographs and text<br />
<span style="font-weight: bold;">"Foundation of Art and Design," </span>Lois Fichner-Rathus, editor, art history book, Thomson/Wadsworth Publisher, CA, 1 photograph and text<br />
<span style="font-weight: bold;">"The Progressive Collection Book", </span>Toby Devan Lewis, 30 years of collecting over 6,000 works of art, Cleveland, OH, 1 photograph<br />
<br />
<span style="font-weight: bold;">2006 "So Now Then", </span>Edited by Christopher Coppock and Paul Seawright, photography festival publication, Hereford, Great Britain, 7 photographs and text<br />
<span style="font-weight: bold;">"American Photography 22", </span>photography annual, Kathy Ryan, chairperson, NYC, 1 photograph<br />
<span style="font-weight: bold;">"Joint Venture", </span>Co-curated by Matthis Geiger and Renny Pritikin, University of California, Davis, catalogue and exhibition, 4 photographs<br />
<br />
<span style="font-weight: bold;">2004 "The Appalachians: America's First and Last Frontier",</span> Edited by Mari-Lynn Evans, Random House, NY, book, three part film series produced for PBS and DVD, 30 photographs and essay<br />
<br />
<span style="font-weight: bold;">2003 "In Celebration of Light",</span> Cheryl and James F. Pierce, Honolulu Academy of Arts, Honolulu, book and exhibition, 1 photograph<br />
<br />
<span style="font-weight: bold;">2002 "Appalachian Time Traveler", </span>Black and White Magazine, Text Rick Newby, portfolio<br />
Arrayo Grande, CA. 13 photographs<br />
<span style="font-weight: bold;">"Photographers, Writers and The American Scene", </span>Arena Editions, Editor, James L. Enyeart, traveling exhibition and book publication, 6 photographs<br />
<span style="font-weight: bold;">"Mutter Museum", </span>Editor Gretchen Worden, book and traveling exhibition, Blast Books, NY, 3 photographs<br />
<span style="font-weight: bold;">"Portfolio - Shelby Lee Adams", </span>Artform, Text Bob Nickas, portfolio, NYC, NY, 4 photos.<br />
<br />
<span style="font-weight: bold;">2001</span> <span style="font-weight: bold;">"Embracing Appalachians," </span>Visual ID,<span style="font-weight: bold;"> </span>Text Eikou Ikui, feature article and portfolio, Tokyo, Japan, 30 photographs<br />
<span style="font-weight: bold;">"On the Back Roads," </span>PhotoVision, feature article and portfolio, Boulder, Co. 10 photographs<br />
<span style="font-weight: bold;">"A Thousand Hounds," </span>Tashen publisher, editors, Raymond W. Mettit and Miles Barth, Germany, 3 photographs<br />
<br />
<span style="font-weight: bold;">2000</span> <span style="font-weight: bold;">"American Photography 16,"</span> photography annual, NYC NY<br />
7 photographs<br />
<br />
<span style="font-weight: bold;">1999"Sunday Best,"</span>The New York Times Magazine, Text Ingred Sischy,<br />
photo essay, NYC NY 10 photographs<br />
<span style="font-weight: bold;">"In the South Portfolio," </span>International Fund for Documentary Photography, Mother Jones, commissioned limited edition photograph for portfolio, San Francisco, CA<br />
<span style="font-weight: bold;">"Love and Desire," </span>Editor and author, William Ewing, publisher Chronicle Books, San Francisco, 3 photographs<br />
<span style="font-weight: bold;">"Appalachian Portraits: Two Families," </span>LensWork, journal, editor and interview with Brooks Jensen, Portland, OR, cover and 18 photographs<br />
<span style="font-weight: bold;">"You Can Go Home Again," </span>American PHOTO, Jack Crager, interview and portfolio, NYC NY 6 photographs<br />
<span style="font-weight: bold;">"Innovation/Imagination: 50 Years of Polaroid Photography," </span>Editors, Deborah<span style="font-weight: bold;"> <span style="font-weight: bold;"><br /></span></span>Klochko and Barbara Hitchcock, book and traveling exhibition, publishers, The Friends of Photo/Abrams, NYC NY 1 photograph<span style="font-weight: bold;"><span style="font-weight: bold;"><br /></span>"View Camera" </span>Interview with Abigail Foerstner, magazine, Sacramento, CA, 4 photographs<br />
<span style="font-weight: bold;">"Amerika," </span>editor Frans Verhagen, Amsterdam, The Netherlands, 10 photographs<br />
<span style="font-weight: bold;">"PHOTO Technik International," </span>interview and portfolio, Munchen, Germany, 12 photographs<br />
<span style="font-weight: bold;">"Spot," </span>interview with Gregory Spaid, magazine, Houston Center for Photography, Houston, TX, 6 photographs<br />
<span style="font-weight: bold;">"BlackFlash," </span>Interview with Johanna Mizgala, journal, Saskatchewan, Canada, 5 photographs<br />
<br />
<span style="font-weight: bold;">1998-99 "Photography's multiple roles: Art, Document, Market,Science," </span>Denise Miller, Director, book and exhibition, 1 photograph, DAP/Art Publishers, The Museum of Contemporary Photo, Chicago, IL<br />
<br />
<span style="font-weight: bold;">1998 "The Pictures of Texas Monthly: 25 Years," </span>Anne W. Tucker, editor, anniversary book, Texas Monthly publisher, Austin, TX, book, traveling exhbition for two years, 1 photograph<br />
<span style="font-weight: bold;">"Gone Home Again," </span>Ace Magazine, interview, Rhonda Reeves, cover story, portfolio and location photos of book signing, Lexington, KY, 4 portfolio photos<br />
<span style="font-weight: bold;">"God's Own Country," Basler Zeitung,<span style="font-weight: bold;"> </span></span>writer Bernhard Matuschak visited Appalachia and did personal interviews, essay and portfolio, Basel, Switzerland, 10 photographs<br />
<br />
<span style="font-weight: bold;">1997 "Fine Art Photography II," collection, </span>Graphis, Zurich, Switzerland, 2 photographs<br />
<span style="font-weight: bold;">"The Photography Book," </span>editor, Ian Jeffrey, International history of photography book, Phaidon, London, 1 photography and biography<br />
<span style="font-weight: bold;">"Catalogue of Photography," </span>curator and author Tom Hinson, The Cleveland Museum of Art, Cleveland, OH, 7 photographs and biography<br />
<br />
<span style="font-weight: bold;">1996 "The Personal Eye," </span>Contents Vol. 14, assignment, Olympic sailors of '96, Savannah, GA, 11 page photography essay<br />
<span style="font-weight: bold;">"Is the South Still Gothic," </span>Oxford American, Oxford, MS, 1 photograph<br />
<span style="font-weight: bold;">"American Photography," </span>Vol. XII, NYC, NY, 2 photographs<br />
<span style="font-weight: bold;">"Tim Robbins," </span>Interview, Suddeutsche Zeitung Magazine, Munich, Germany, 2 photographs<br />
<span style="font-weight: bold;">"Hooterville," </span>Long Shot, National Poetry Journal, Vol. 18, Hoboken, NJ, essay and 5 photographs<br />
<br />
<span style="font-weight: bold;">1995 "Fine Art Photography 95," </span>collection, Graphis, Zurich, Switzerland, 1 photograph<br />
<span style="font-weight: bold;">"New Works," </span>Contents, Issue II, Savannah, GA, essay and portfolio<br />
<span style="font-weight: bold;">"Burning Down the Woods,"</span> assignment, Texas Monthly, Austin, TX, essay and portfolio<br />
<span style="font-weight: bold;">"The Holiness People," </span>Amerika, Amsterdam, The Netherlands, essay and portfolio<br />
<br />
<span style="font-weight: bold;">1994 "The Picture Man," </span>Amerika, Amsterdam, The Netherlands, cover, essay and portfolio<br />
<span style="font-weight: bold;">" Southern Man," </span>Camera and Darkroom, editor, Dear Brierly, Interview and essay, Beverly Hills, CA, 12 photographs<br />
<br />
<span style="font-weight: bold;">1993 "Portraits from Appalachia," </span>View Camera, editor, Lizabeth A. Johnson, interview, Sacramento, CA, cover and 4 photographs<br />
<span style="font-weight: bold;">"Shelby Lee Adams," </span>Photographer's Form, Interview with Gretje Ferguson, Santa Barbara, CA, 8 photographs<br />
<span style="font-weight: bold;">"The Hills Have Eyes," </span>New York Press, Interview, John Strausbaugh, NYC, NY, cover and 3 photographs</div><div style="text-align: left;">"<b>Portraits From the Southern Mountains,"</b>The Chronicle of Higher Education, End Paper, Washington, DC, 1 photograph<br />
<br />
<span style="font-weight: bold;">1992 "Our Town," </span>Aperture, #127, NYC, NY, text and 5 photographs<br />
<span style="font-weight: bold;">"More Reflections on the Meaning of Life," </span>Time, Inc. Editor David Friend, book, NYC, 1 photograph<br />
<span style="font-weight: bold;">"Neue Rundscheu," </span>Literary Arts Journal, Germany, Text and 5 photographs<br />
<span style="font-weight: bold;">"Aesthetic tabloid," </span>Tucson, AZ, 4 photographs<br />
<br />
<span style="font-weight: bold;">1991 "Mother Jones,"</span> portfolio and interview, San Francisco, CA<br />
<span style="font-weight: bold;">"The Circle of Life,"</span> editor, David Cohen, Harper Collins, San Francisco, CA<br />
book, 1 photograph<br />
<span style="font-weight: bold;">"World Views,"</span> The First Mother Jones International Documentary Photography Awards, catalog and portfolio<br />
<span style="font-weight: bold;">"The Home Funeral,"</span> Life Magazine, NYC, October Issue, 1 photograph, two page spread<br />
<br />
<span style="font-weight: bold;">1990 "Selection 5," </span>Fifth Biennial International Polaroid Collection Exhibition and catalog,<br />
Cologne, West Germany, 1 photograph<br />
<br />
<span style="font-weight: bold;">1989 "Close To Home," </span>editor, David Featherstone, Friends of Photography, text and portfolio, San Francisco, CA<br />
<span style="font-weight: bold;">"Myth and Reality of Southern Photographers," </span>Aperture periodical #115, 1 photograph NYC, NY<br />
<br />
<span style="font-weight: bold;">1988 "Woodstock Center of Photography," </span>journal, cover, text on Holiness religion and portfolio, Woodstock, NY<br />
<br />
<span style="font-weight: bold;">1987 "San Francisco Camerawork," </span>Issue #14, cover image, article and portfolio, San Francisco, CA<br />
<br />
<span style="font-weight: bold;">1986 "The Arts Journal," </span>arts publication, interview and portfolio, Atlanta, GA<br />
<span style="font-weight: bold;">"Sextant,"</span> Salem State College, journal, portfolio, Salem, MA<br />
<br />
<span style="font-weight: bold;">1985 "Maine Photo Workshop Annual," </span>Rockport, MA, 1 photograph<br />
<br />
<span style="font-weight: bold;">1982 "Time-Life Photo Annual 1982," </span>1 image represented in<span style="font-weight: bold;"> </span>book, Washington, DC<br />
<br />
<span style="font-weight: bold;">1981 "Poudre Review," </span>arts publication, Fort Collins, CO, article and portfolio<br />
<br />
<span style="font-weight: bold;">1980 "Photography Annual 1980/81," </span>editor, Jim Hughes, Ziff Davis Publishers, NYC, portfolio<br />
<br />
<span style="font-weight: bold;">1979 "Appalachia A Self-Portrait," </span>editor and photographer, Wendy Ewald, book and traveling exhibition, Publisher Gnomon Press, Introduction Robert Coles, <span style="font-weight: bold;">NEA Survey Grant,</span> Frankfort, KY<span style="font-weight: bold;"> </span><br />
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<div style="text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjF8IdfiGhpN3quMknwPKT60CiveMQsmuRFH9ZJeKivL5S52t77XWqKaFDW6fhyphenhyphenQPhvYO9AN46BU_9DxuW4ZtJcucjmOS8F2YKhiMsZoBfiyVBKMSeSkOotUeJk3wP8KvfVwzMSCXJwfyA/s1600-h/Cecil_The-Woodworker_92_tif.jpg"><img alt="" border="0" id="BLOGGER_PHOTO_ID_5367017868294576786" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjF8IdfiGhpN3quMknwPKT60CiveMQsmuRFH9ZJeKivL5S52t77XWqKaFDW6fhyphenhyphenQPhvYO9AN46BU_9DxuW4ZtJcucjmOS8F2YKhiMsZoBfiyVBKMSeSkOotUeJk3wP8KvfVwzMSCXJwfyA/s400/Cecil_The-Woodworker_92_tif.jpg" style="cursor: pointer; display: block; height: 293px; margin: 0px auto 10px; text-align: center; width: 400px;" /></a><br />
<span style="font-weight: bold;">Cecil, The Woodworker, 1992</span></div>
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<span style="font-weight: bold;"> </span><br />
<div style="text-align: center;">
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<div style="text-align: left;">
<span style="color: #9999ff; font-weight: bold;">Selected Workshops, Multimedia, Seminars and Lectures</span><br />
<span style="color: #9999ff; font-weight: bold;"><br /></span>
<span style="color: #eeeeee;"><span style="font-weight: bold;"><span style="color: #eeeeee;">2017 "Environmental Portraiture," Held at </span><i style="color: #eeeeee;">Arrowhead,</i><span style="color: #f3f3f3;"> the Historic </span></span><span style="color: #f3f3f3; font-weight: bold;">Home of Herman Melville and concurrently at the photographers home, workshop emphasis lighting and photographing people in their environments, Pittsfield, MA </span></span><br />
<span style="color: #9999ff; font-weight: bold;"><br /></span>
<span style="font-weight: bold;">2016 </span><span style="color: #eeeeee; font-weight: bold;">"Appalachian Polaroids," 2nd performance, composer Steven Snowden's musical creation for the Aeolus Quartet, illustrated with a collaborative slide show presentation of Shelby's photographic works, sponsored by Chamber Music America, Corcoran Gallery, Washington, DC </span><br />
<span style="color: #9999ff; font-weight: bold;"><br /></span>
<b>2015 & 2016 </b>"Your Voice In Portrait Lighting," Advanced photo workshop, International Center of Photography, NYC, NY<br />
<span style="color: #9999ff; font-weight: bold;"><br /></span>
<b>2014 </b>"Appalachian Polaroids," composer Steven Snowden, created a musical score for the Aeolus Quartet, Performed first time collaboratively with the photographer's work at performance center Roulette, sponsor Ear Heart Music, Brooklyn, NY<br />
"Finding your Voice with Photography," International Center of Photography, 4 day workshop, NYC, NY<br />
"Four Generations," slide lecture and workshop, sponsor Colorado Photo Arts Center, Denver Art Museum, Denver, CO<br />
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<span class="Apple-style-span" style="color: #9999ff;"><b><br /></b></span></div>
<div style="text-align: left;">
<b>2013</b> "Four Generations," Slide presentation and lecture, Center for Creative Photography,<br />
University of Arizona, Tucson, AZ<br />
"Environmental Portraiture," photography workshop, Aperture, NYC<br />
"Environmental Portraiture," summer, International Center of Photography, 1 week, NYC<br />
<b>"</b>Finding your Voice with Lighting," photography workshop, winter, International Center of Photography, NYC<br />
Salisbury University, exhibition and artist lecture, Salisbury, MD<br />
<br />
<b>2012</b> PhotoNOLA Annual photo conference, Key-note Speaker, New Orleans, LA,<br />
with concurrent<b> </b>exhibitions at Ogden Museum of Southern Art and A Gallery for Fine Photography, New Orleans, LA<br />
Palm Springs Photo Workshop/Festival, 4 day workshop, slide lecture and book signing,</div>
<div style="text-align: left;">
Palm Springs, CA</div>
<div style="text-align: left;">
"Finding your Voice With Lighting," 4 day studio/location lighting workshop, International Center of Photography, NYC</div>
<div style="text-align: left;">
Lecture and slide presentation, "Salt and Truth," Photographic Resource Center, Boston, MA</div>
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"Environmental Portraiture," Slide Lecture and critiques, New England Large Format Photo Collective, Springfield, MA</div>
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"Path," Athens Photographic Project, Guest Curator and Juror for annual photo based exhibition/competition and catalogue, Athens, OH<br />
Center for Photography at Woodstock, weekend workshop, critiques and slide presentation, Woodstock, NY<br />
<i>Summersite Program</i>, Environmental Portraiture, 1 week workshop, International Center of Photography, NYC</div>
<div style="text-align: left;">
<br />
<span style="font-weight: bold;">2011</span> "Master Workshop," EFTI, Advanced photography program, 1 week, Madrid, Spain</div>
<div style="text-align: left;">
New Space Center for Photography, Environmental Portraiture, 1 week workshop, Portland, OR<br />
<i>"The Nature of Documentary</i>," 4 day studio/location workshop, International Center for Photography, NYC, NY</div>
<div style="text-align: left;">
<i>"Photography: The Document,"</i> Photo Conference, Key-note speaker, University of Louisville, Louisville, KY<br />
<br />
<span style="font-weight: bold;">2010</span> The Julia Dean Photo Workshops, July - 1 week photo workshop, Venice, CA<br />
International Center of Photography, four day workshop/seminar,<br />
<span style="font-style: italic;">The Nature Of Documentary,</span> NYC, NY<br />
Yale University School of Medicine, Lecture - "Appalachian Portraits: A Healing Perspective,"<br />
New Haven, CONN<br />
PhotoAlliance, Slide Lecture, San Francisco Art Institute, Lecture Hall, San Francisco, CA</div>
<div style="text-align: left;">
Project Basho, Portrait Photography Workshop, Philadelphia, Penn.<br />
<br />
<span style="font-weight: bold;">2009 </span>Adrian College, artist in residence, lecture and exhibition<span style="font-weight: bold;">, </span>Adrian, MI<span style="font-weight: bold;"><br /></span>Siena Heights University, portfolio reviews and slide lecture, Adrian, MI<span style="font-weight: bold;"><br /></span> International Center of Photography, Photography workshop [1 week], NYC, NY<br />
Photostock 2009, North Light Photographic Workshops, Keynote speaker and portfolio reviews, Petoskey, MI<br />
Union College, Slide Lecture and portfolio reviews, Schenectady, NY<br />
<br />
<span style="font-weight: bold;">2008</span> International Center of Photography, Seminar-The Nature of Documentary, [4 day]<br />
NYC, NY<br />
New Hampshire Institute of Art, Commencement Speaker, Manchester, NH<br />
University of Central Arkansas, Visiting Artist, Lecture and Critiques, Conway, AK<br />
<br />
<br />
<span style="font-weight: bold;"> 2007 </span>Project Basho, Portrait Photo Workshop, Philadelphia, Penn.<br />
View Camera Annual Photography Conference, Keynote Speaker and exhibition at Paul Paletti Gallery, Louisville, KY<br />
International Center of Photography, Photography Workshop, NYC, NY<br />
<br />
<span style="font-weight: bold;">2006</span> <span style="font-weight: bold;">"Light Conversations,"</span> Harvard University, interactive seminar, Fogg Art Museum, Cambridge, MA<br />
Hereford Photography Festival, one panelist of six-defining documentary, exhibition,<br />
Hereford, Great Britain<br />
Miami University, Guest Lecture, Hamilton, Ohio<br />
Shawnee State University, Lecture and photo workshop, Portsmouth, OH<br />
Virginia Military Institute, Slide Lecture, Lexington, VA<br />
International Center of Photography, Seminar/Workshop-The Nature of Documentary, NYC, NY<br />
<br />
<span style="font-weight: bold;">2005</span> Woodstock Center of Photography, Weekend workshop and lecture, Woodstock, NY<br />
Aperture Foundation, slide lecture, series, NYC, NY<br />
Santa Fe Center for Photographic Studies, Photo workshop [1 week], Santa Fe, NM<br />
Willamette University, <span style="font-style: italic;">Hogue-Sponenburg Art Lecture</span>, Salem, OR<br />
International Center of Photography, Seminar and photography workshop, NYC, NY<br />
<br />
<span style="font-weight: bold;">2004</span> International Center of Photography, seminar and photography workshop, NYC, NY<br />
<br />
<span style="font-weight: bold;">2003</span> Woodstock Center of Photography, Weekend workshop and lecture, Woodstock, NY<br />
International Center of Photography, photo workshop and seminar, NYC, NY<br />
<br />
<span style="font-weight: bold;">2002</span> International Center of Photography, <i>The Nature of Documentary,</i> Photography workshop, NYC, NY<br />
<br />
<span style="font-weight: bold;">2001</span> International Center of Photography, Seminar and photo workshop, NYC, NY<br />
<br />
<span style="font-weight: bold;">2000</span> The University of Texas at Austin, Slide Presentation and lecture, Austin, TX<br />
The Cleveland Institute of Art, Slide presentation and lecture, Cleveland, OH<br />
Anderson Ranch, one week photo workshop, Snowmass Village, CO<br />
<br />
<span style="font-weight: bold;">1999</span> Harvard University, <span style="font-style: italic;">Nieman Foundation Lecture</span>, Cambridge, MA<br />
Toronto Photography Festival, Slide lecture, Ontario<br />
30th Annual International Arles Photography Festival, lecture and exhibition,<br />
Arles, France<br />
Kalamazoo Institute of Arts, Photography workshop, Kalamazoo, MI<br />
International Center of Photography, seminar and workshop, NYC, NY<br />
<br />
<span style="font-weight: bold;">1998</span> Cincinnati Art Museum, slide lecture, Cinti. OH<br />
Dallas Museum of Art, slide lecture, Dallas, TX<br />
Bates College, slide lecture, Lewiston, ME<br />
Penland School of Arts and Crafts, workshop, Penland, NC<br />
Musee de l'Elysee Lausanne, lecture and research, Lausanne, Switzerland<br />
Anderson Ranch Arts Center, 1 week photo workshop, Aspen, CO<br />
International Center of Photography, photo workshop, NYC, NY<br />
<br />
<span style="font-weight: bold;">1997</span> Columbia College, Photography Graduate Seminar, Chicago, IL<br />
International Center of Photography, workshop, NYC, NY<br />
<br />
<b>1996-97</b> Bennington College, Artist-In-Residence, 1 year, Photography<br />
<br />
<span style="font-weight: bold;">1996</span> Millsaps College, <i>The Snake Handling Mystique</i>, seminar, Jackson, MS<br />
Anderson Ranch Arts Center, photo workshop, Aspen, CO<br />
<br />
<span style="font-weight: bold;">1995</span> Santa Fe Photographic Workshop, 1 Week Photo Workshop, Santa Fe, New Mexico<br />
USVA, FotoGalerie, workshop, Groningen, The Netherlands<br />
<br />
<span style="font-weight: bold;">1994</span> Anderson Ranch Arts Center, 1 week photo workshop, Aspen, CO<br />
<br />
<span style="font-weight: bold;">1993</span> Penn State University, photo workshop, University Park, PA<br />
<br />
<span style="font-weight: bold;">1988</span> University of Virginia - Charlotte, Slide Lecture and exhibition, Charlotte, VA<br />
<br />
<span style="font-weight: bold;">1986</span> The Light Factory, Key-note opening presentation at Society of Photographic Education<br />
Southern Regional Fall Conference, Charlotte, NC<br />
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<div style="text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi0_obr_xbSfw0HscCzYLqOWPcjo8rnqtB4O96WPuwNCUwYYCBGKHDbZPXk7ueaGxTFw0FbxL81i9UtB3s_RtyJiC5jhi1QkGiO-etOjZap3Zph8rBzxdDycAhqCUwmRvQ7lLu0X64pkf8/s1600-h/Grandma_-Cat74_tif_tif.jpg"><img alt="" border="0" id="BLOGGER_PHOTO_ID_5367307694054776322" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi0_obr_xbSfw0HscCzYLqOWPcjo8rnqtB4O96WPuwNCUwYYCBGKHDbZPXk7ueaGxTFw0FbxL81i9UtB3s_RtyJiC5jhi1QkGiO-etOjZap3Zph8rBzxdDycAhqCUwmRvQ7lLu0X64pkf8/s400/Grandma_-Cat74_tif_tif.jpg" style="cursor: pointer; display: block; height: 400px; margin: 0px auto 10px; text-align: center; width: 272px;" /></a><span style="font-weight: bold;">Grandma and Cat, 1973</span><br />
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<div style="text-align: left;">
<span style="color: #9999ff; font-weight: bold;">Selected Two Person Exhibitions</span><br />
<br />
<span style="font-weight: bold;">1996</span> <span style="font-weight: bold;">"Keith Carter and Shelby Lee Adams,"</span> Carpenter Center for the Visual Arts, Harvard University, Cambridge, MA<br />
<br />
<span style="font-weight: bold;">1992</span> <span style="font-weight: bold;">"From the Inside - Shelby Lee Adams and Larry Fink,"</span> Catherine Edelman Gallery, Chicago, IL<br />
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<span style="font-weight: bold;">1991</span> <span style="font-weight: bold;">"OPSIS Pairs: Shelby Lee Adams and Steve Hart,"</span> OPSIS Foundation, NYC, NY<br />
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<span style="font-weight: bold;">1988 </span><span style="font-weight: bold;">"In Pursuit of the Human Spirit: Photographs from the South, Nicholas Nixon and Shelby</span> <span style="font-weight: bold;">Lee Adams,"</span> artist in residence and exhibition, Charlottesville, VA<br />
<br />
<span style="font-weight: bold;">1986-1987</span><span style="font-weight: bold;"> "A Comparative Portrait of Appalachia: Photographs by Doris Ulman and Shelby Lee</span> <span style="font-weight: bold;">Adams,"</span> The Light Gallery, Charlotte, NC<br />
<br />
<span style="font-weight: bold;">1980</span> "<span style="font-weight: bold;">Mike Disfarmer-Shelby Lee Adams,"</span> San Francisco Camerawork Gallery, San Francisco, CA<br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhttVuVNSqTtMiiRl88SakNtsBz7-dVyd684DJVaPJu8qvQ1wQdDQXK9BOXlbuxM0X2GJYJWqLeydFWaMpc2Jn8B9E4CyG3HznjWlO0gqIRKehXLp2Y4yQMNKrHm9xsUtWD0bFmGSxNbS4/s1600-h/Mr.-Dixon,85+copy.jpg"><img alt="" border="0" id="BLOGGER_PHOTO_ID_5367691789579887362" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhttVuVNSqTtMiiRl88SakNtsBz7-dVyd684DJVaPJu8qvQ1wQdDQXK9BOXlbuxM0X2GJYJWqLeydFWaMpc2Jn8B9E4CyG3HznjWlO0gqIRKehXLp2Y4yQMNKrHm9xsUtWD0bFmGSxNbS4/s400/Mr.-Dixon,85+copy.jpg" style="cursor: pointer; display: block; height: 400px; margin: 0px auto 10px; text-align: center; width: 309px;" /></a><span style="font-weight: bold;">Mr. Dixon, 1985</span><br />
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<span style="color: #9999ff; font-weight: bold;">Selected Group Exhibitions</span></div><div style="text-align: left;"><span style="color: #9999ff; font-weight: bold;"><br /></span></div><div style="text-align: left;"><span style="color: #cccccc;"><span style="font-weight: bold;">2023 </span><i style="font-family: Calibri, sans-serif;"><span style="font-size: 11pt;">House of Photographs</span></i><span face="Calibri, sans-serif" style="font-size: 11pt;">, Group exhibit, Philadelphia Museum of Art, Penn.1 photo</span></span></div><p class="MsoNormal" style="font-family: Calibri, sans-serif; margin: 0in;"><span style="font-family: Helvetica; font-size: 10.5pt;"> </span></p><div style="text-align: left;"><span style="color: #9999ff;"><span style="caret-color: rgb(153, 153, 255);"><b><br /></b></span></span></div><div style="text-align: left;"><span style="caret-color: rgb(153, 153, 255);"><b><span style="color: #eeeeee;">2022 <i>Reckonings and Reconstructions, </i>Georgia Museum of Art, exhibition and catalogue, 2 prints represented with audio description, Athens, GA</span><br /></b></span>
<span style="color: #9999ff; font-weight: bold;"><br /></span>
<span style="font-weight: bold;">2019 "Edward Weston's Leaves of Grass," Center for Photography, Heritage Gallery, Tucson, AZ. 1 photo represented.</span><br />
<span style="font-weight: bold;"><br /></span>
<span style="font-weight: bold;"><span style="color: #cccccc;">2016 "Ourselves Through the Lens: Photography from the Ramer Collection," Crocker Art Museum, Sacramento, CA</span></span><br />
<span style="font-weight: bold;">"Kentucky Captured: Photographs Inspired by the Bluegrass State,"</span><span style="color: #eeeeee;"><span style="color: #cccccc; font-weight: bold;"> </span><span style="font-weight: bold;"><span style="color: #cccccc;">Curated by Elizabeth Reilly and Marcy Werner, 3 photos represented, J. B. Speed Museum [newly renovated], University of Louisville, Louisville, KY</span></span></span><br />
<span style="color: #444444;"><span style="color: #cccccc; font-weight: bold;">"Casting Shadows," Fralin Museum, University of Virginia, Charlottesville, VA, 2 photos.</span></span><br />
<span style="color: #9999ff; font-weight: bold;"><br /></span>
<span style="font-weight: bold;">2014-15 "Self-Processing: Instant Photography," </span>Group exhibition of Polaroid materials, Ogden Museum of Southern Art, New Orleans, LA [Oct.-Jan.]</div>
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<span style="color: #9999ff; font-weight: bold;"><br /></span></div>
<div style="text-align: left;">
<span style="font-weight: bold;">2012 "Invitational-50th Anniversary Exhibition," </span>University of Louisville Photography Archives, catalogue, Louisville, KY<br />
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<span style="color: #cccccc; font-weight: bold;">2011 "Southern Views/Southern Photographers," Curator, William Wylie, University of Virginia, Charlottesville, VA</span></div>
<div style="text-align: left;">
<span style="color: #9999ff; font-weight: bold;"><span class="Apple-style-span" style="color: #cccccc;">"Face to Face: Works from the Bank of America Collection," The Museum of Photographic Arts, San Diego, CA</span></span><span style="color: black; font-weight: bold;"><span style="color: silver;"> </span></span><br />
<span style="color: black; font-weight: bold;"><span style="color: black;"><span style="color: white;"><span style="color: silver;">"</span><span style="color: #666666;"><span style="color: silver;">Recollections: Thirty</span> <span style="color: #999999;">Years of Photography at The New York Public </span></span><span style="color: #999999;">Library,"</span><span class="Apple-style-span" style="color: #cccccc;"> </span></span></span></span><span class="Apple-style-span" style="color: #cccccc;"> </span><span class="Apple-style-span" style="color: #cccccc;">New York City, NY</span><span style="color: #9999ff; font-weight: bold;"><br /></span><span style="font-weight: bold;">2010 "20 years of the Hereford Photography Festival," 20 photographers represented,<br />Hereford Museum and Art Gallery, Hereford, UK<br />"Catherine Randolph Collection,"</span> Atrium Gallery, Salisbury University, Salisbury, MD<br />
<span style="font-weight: bold;">"Proof,"</span> Group Exhibition, The Catherine Edelman Gallery, Chicago, IL<br />
<br />
<span style="font-weight: bold;">2009-10</span> <span style="font-weight: bold;">"Picturing the Process: The Photograph as Witness,"</span> Museum of Photographic Arts, San Digeo, CA<br />
<br />
<span style="font-weight: bold;">2009 "Small is Beautiful," </span>The Arts Pavillon, The Arts Institute in Boumemouth, Boumemouth, Great Britan<br />
<span style="font-weight: bold;">"Christopher Hyland Collection,"</span> New Britain Museum of American Art, New Britain, CONN, three photographs<br />
<span style="font-weight: bold;">"Looking Forward: New Works and New Directions for the Permanent Collection,"</span><br />
Ashville Art Museum, Ashville, NC<br />
<span style="font-weight: bold;">"This Is Not a Fashion Photograph,"</span> Curator Vince Aletti, International Center of Photography, Midtown, NYC, NY<br />
<br />
<span style="font-weight: bold;">2008</span> <span style="font-weight: bold;">"Not all of Man's Best Friends Are Dog's,"</span> Fahey/Klein Gallery, LA<br />
<span style="font-weight: bold;">"Under the Influence, The Photographic Homage,"</span> Catherine Edelman Gallery,<br />
Chicago, IL<br />
<br />
<span style="font-weight: bold;"> 2006 "100 Great American Photograph's," </span>Curator, John Rohrbach, Amon Carter Museum, Fort Worth, TX<br />
<span style="font-weight: bold;">"So Now Then,"</span> Hereford Photography Festival, International exhibition, participant at panel discussion<br />
and publication, Hereford, UK<br />
<br />
<span style="font-weight: bold;">2005</span> <span style="font-weight: bold;">"A New Kind Of Historical Evidence: Photographs from the Carpenter Center Collection,"</span> The Fogg Art Museum, Cambridge, MA<br />
<br />
<span style="font-weight: bold;">2004</span> <span style="font-weight: bold;">"Inside Out: Portrait Photographs from the Permanent Collection,"</span> Whitney Museum of American Art, NYC, NY<br />
<br />
<span style="font-weight: bold;">2003 "Pictures From Within: American Photographs, 1958-2002,</span> Whitney Museum of American Art, NYC, NY<br />
<span style="font-weight: bold;">"The Family,"</span> The Gallery at Windsor, publication and exhibition, Vero Beach, FL<br />
<span style="font-weight: bold;">"The Social Lens":</span> Photographs from the Ray Graham Collection, University Art Museum,<br />
Albuquerque, NM<br />
<span style="font-weight: bold;">"30 Years"</span> Three Decades of New Art at Second St. Gallery, Charlottesville, VA<br />
<br />
<span style="font-weight: bold;">2002</span> <span style="font-weight: bold;">"Animal Logic,"</span> Stephen Bulger Gallery, Toronto, Canada<br />
<span style="font-weight: bold;">"What Were You Thinking," </span>Catherine Edelman Gallery, Chicago, IL<br />
<span style="font-weight: bold;">"Mutter Museum Photographs,"</span> Ricco/Maresca Gallery, NYC, NY<br />
<br />
<span style="font-weight: bold;">2001</span> <span style="font-weight: bold;">" God is Dog Spelled Backwards,"</span> G. Gibson Gallery, Seattle, WA<br />
<span style="font-weight: bold;">"The Alchemy of Light,"</span> Cumberland Gallery, Nashville, TN<br />
<span style="font-weight: bold;">"Photoanatomic,</span>" Barrister's Gallery, New Orleans, LA<br />
<span style="font-weight: bold;">"Myth, Memory and Imagination,"</span> Morris Museum of Art, Augusta, GA<br />
<br />
<span style="font-weight: bold;">2000-2001 "American Perspectives: Photographs from the Polaroid Collection,"</span><br />
Curator Michiko Kasahara, Tokyo Metropolitian Museum of Photography,<br />
catalogue and exhibition will travel to 3 additional sites, Tokyo, Japan<br />
<br />
<span style="font-weight: bold;">2000-2003 "National Millennium Survey," </span>Director James Enyeart, Center for Photographic Arts, College of Santa Fe, national traveling exhibition, book publication,<br />
CD-ROM, Santa Fe, NM<br />
<br />
<span style="font-weight: bold;">2000</span> <span style="font-weight: bold;">"Personae: Portraits from the Collection,"</span> The Museum of Contemporary Photography, Columbia College, Chicago, IL<br />
<span style="font-weight: bold;">"Watchful Eyes,"</span> Catherine Edelman Gallery, Chicago, IL<br />
<br />
<span style="font-weight: bold;">1999 "Treasures for the Permanent Collection,"</span> Kalamazoo Institute of Arts,<br />
Kalamazoo, MI<br />
<span style="font-weight: bold;">"99 Friends of Friends Photo Auction,"</span> Friends Without A Border,<br />
Photography Auction and catalogue, NYC, NY<br />
<span style="font-weight: bold;">"Face to Face: Four Centuries of Portraits,"</span> Vancouver, Canada<br />
<span style="font-weight: bold;">"Faith and Doubt In Contemporary Southern Photography,"</span> Lewis Art Gallery,<br />
Millsaps College, Jackson, MS<br />
<br />
<span style="font-weight: bold;"> 1998 "Southern Exposure,"</span> Photographs Do Not Bend Gallery, Dallas, TX<br />
<span style="font-weight: bold;">"Blue," </span>Stephen Bulger Gallery, Toronto, Ontario<br />
<span style="font-weight: bold;">"10 Years,"</span> Catherine Edelman Gallery, Chicago, IL<br />
<br />
<span style="font-weight: bold;">1996-98</span> <span style="font-weight: bold;">"It's US," </span>National Traveling Exhibition, Time Warner, In Association with The American Library Association, opening Washington, DC, three year tour, 85 sites<br />
<br />
<span style="font-weight: bold;">1997</span><span class="Apple-style-span" style="color: #cc0000;"> </span><b>"View South," </b>Photo Americas, Curator, Clint Willour, Tulsa Performing Arts Center, Tulsa, OK</div>
<div style="text-align: left;">
<b>"Of Blood & Affection," </b>Toronto Photographers Workshop, Curators, Carol Pickering and Robyn, brochure with essays, Toronto, Ontario</div>
<div style="text-align: left;">
<b>"Backyards," </b>Robert Mann Gallery, NYC, NY</div>
<div style="text-align: left;">
<br /></div>
<div style="text-align: left;">
<b>1996-1997 "Legacy of Light, Master Photographers from the Cleveland Museum of Art, </b>Curator and writer, catalogue, Tom Hinson, Cleveland, OH</div>
<div style="text-align: left;">
<br /></div>
<div style="text-align: left;">
<b>1996 "The South by Its' Photographers," </b>Birmingham Museum of Art, catalogue and traveling exhibit, Birmingham, AL</div>
<div style="text-align: left;">
<b>"Contemporary Photographs of the South: A Personal Selection," </b>catalogue, The Columbus Museum, Columbus, GA</div>
<div style="text-align: left;">
<b>"Photographs in the 1990's," </b>Wright State University, International exhibition and CD-Rom catalogue, Dayton, OH</div>
<div style="text-align: left;">
<b>"Then and Now: The First Eight Year,"</b> Catherine Edelman Gallery, Chicago, IL</div>
<div style="text-align: left;">
<b>"Beyond Arts Medica," </b>Thread Waxing Space, catalogue, NYC, NY</div>
<div style="text-align: left;">
<br /></div>
<div style="text-align: left;">
<b>1995 "We Look and See," </b>University Art Museum, Berkeley, CA</div>
<div style="text-align: left;">
<b>"Streets Seen," </b>Norton Center for the Arts, Center College, Danville, KY</div>
<div style="text-align: left;">
<b>"Process and Time," </b>Three Photographers, Art Academy of Cincinnati, Cincinnati, OH</div>
<div style="text-align: left;">
<b>"Personal Documentary," </b>Center for Creative Photography, Tucson, Az</div>
<div style="text-align: left;">
<br /></div>
<div style="text-align: left;">
<b>1994 "The Reckless Moment," </b>Art Institute of Chicago, Chicago, IL</div>
<div style="text-align: left;">
<b>"A Photographic Bestiary," </b>Robert Koch Gallery, San Francisco, CA</div>
<div style="text-align: left;">
<b>"Workshop Instructors," </b>Anderson Ranch Arts Center, Aspen, CO</div>
<div style="text-align: left;">
<b>"Devotion, Faith and Fervor - The Faithful and The Damned," </b>292 Gallery, NYC, NY</div>
<div style="text-align: left;">
<b>"Selections From the Collection," </b>Center for Photography at Woodstock, Woodstock, NY</div>
<div style="text-align: left;">
<br /></div>
<div style="text-align: left;">
<b>1993-94 "Mutter Museum, Photographs of the Collection," </b>The Book Trader Gallery, Philadelphia, PA</div>
<div style="text-align: left;">
<b>"World View," </b>Mother Jones International Fund for Documentary Photography, exhibition with catalogue traveled to 15 sites, including France and Belgium, San Francisco, CA</div>
<div style="text-align: left;">
<br /></div>
<div style="text-align: left;">
<b>1993 "Photographs for Friends in Deeds," </b>AIDS Fund Raiser Auction, Sotheby's Catalogue and exhibition, NYC, NY</div>
<div style="text-align: left;">
<b>"Beyond the Walls," </b>Eastern State Penitentiary, Moore College of Art and Design, exhibition, fine arts calendar produced, Philadelphia, PA</div>
<div style="text-align: left;">
<br /></div>
<div style="text-align: left;">
<b>1992-93 "Selection 6," </b>Polaroid International Exhibition, catalogue and traveling exhibit, Cologne, Germany</div>
<div style="text-align: left;">
<br /></div>
<div style="text-align: left;">
<b>1992 "Our Town," </b>Burden Gallery, Aperture exhibition and publication #127, NYC, NY </div>
<div style="text-align: left;">
<b>"New England Photographer '92," </b>Danforth Museum of Art, catalogue, Framingham, MA</div>
<div style="text-align: left;">
<b>"More Reflections on the Meaning of Life," </b>Time, Inc. book and national tour, NYC, NY</div>
<div style="text-align: left;">
<b>"New Acquisitions/New Work/New Directions," </b>Los Angeles County Museum of Art, Los Angeles, CA</div>
<div style="text-align: left;">
<b>"New Acquisitions," </b>University of Wyoming Art Museum, Laramie,WY</div>
<div style="text-align: left;">
<br /></div>
<div style="text-align: left;">
<b>1991 "1st Mother Jones International Documentary Photography Exhibit," </b>portfolio exhibited, The Friends of Photography, San Francisco, CA</div>
<div style="text-align: left;">
<b>"The Circle of Life,"</b> International traveling exhibition, debut-California Academy of Science, book, 1 photo represented,<b> </b>Harper Collins, San Francisco, CA</div>
<div style="text-align: left;">
<br /></div>
<div style="text-align: left;">
<b>1990-92 "Selections 5," </b>Polaroid International Exhibition, traveled throughout Europe</div>
<div style="text-align: left;">
<br /></div>
<div style="text-align: left;">
<b>1990 "International Photography Exchange Exhibit with Russia," </b>United Artist Gallery of Kharkov, Ukraine, one of 11 photographers selected from US.</div>
<div style="text-align: left;">
<b>"Photography, Fellow, and Finalist," </b>Artist Foundation, Boston, MA</div>
<div style="text-align: left;">
<br /></div>
<div style="text-align: left;">
<b>1989-90 "Recent Acquisitions in Photography," </b>Corcoran Gallery of Art, 2 photographs, Washington, DC</div>
<div style="text-align: left;">
<b>"The Collector's Eye," </b>Museum of Fine Arts, Museum of New Mexico, Santa Fe, NM</div>
<div style="text-align: left;">
<br /></div>
<div style="text-align: left;">
<b>1989 "Southern Photography Exhibition," </b>Burden Gallery, Aperture, publication #115, NYC, NY</div>
<div style="text-align: left;">
<b>"Point of Convergence-Recent Acquisitions," </b>Museum of Photographic Arts, San Diego, CA</div>
<div style="text-align: left;">
<br /></div>
<div style="text-align: left;">
<b>1987 "Spirit in the Land: Photographs from the Bible Belt," </b>San Francisco Cameraworks Gallery, San Francisco,CA</div>
<div style="text-align: left;">
<b>"Kansas City Art Institute," </b>group exhibition, Kansas City, MS</div>
<div style="text-align: left;">
<b>"Blatant Image/Silver Eye Gallery," </b>group exhibition, Pittsburgh, PA<br />
<br />
<b>1986 "1986 Annual Show,"</b> Maine Photography Workshops, catalogue, Soho, NYC, NY<br />
<br />
<b>1985</b> <b>Museum of Fine Arts Houston</b>, Houston, TX<br />
<b>Penn. State University</b>, University Park, PA<br />
<b>Cleveland Institute of Art</b>, Cleveland, OH<br />
<br />
<b>1984 An American Place</b>, Chicago, IL<br />
<b>Carl Solway Gallery</b>, Cincinnati, OH<br />
<b>The Simon Gallery</b>, Montclair, NJ<br />
<br />
<b>1983 Cincinnati Art Museum</b>, Cincinnati, OH<br />
<br />
<b>1982-83 Cleveland Museum of Art</b>, Cleveland, OH<br />
<br />
<b>1982 "Perceptions," </b>Parsons School of Design, First prize Award, NYC, NY<br />
<b>Infinity Gallery, </b>Governors State University, Park Forest South, IL<br />
<b>Carl Solway Gallery</b>, Cincinnati, OH<br />
<br />
<b>1981-82 Permanent Collection Exhibition, </b>Cincinnati Art Museum, Cinti, OH<br />
<br />
<b>1981 The Finished Print,</b> The Art Guild, Framington, CT<br />
<br />
<b>1980 American Visions,</b> New York University, Honorable Mention, NYC, NY<br />
<br />
<b>1979 Kansas City Art Institute</b>, Kansas City, MO<br />
<b>Huntington Galleries</b>, Huntington, WV<br />
<b>International Center of Photography</b>, NYC, NY<br />
<b>Eleventh Street Photo Gallery</b>, NYC, NY<br />
<br />
<br />
<div style="text-align: center;">
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Shelby Lee Adamshttp://www.blogger.com/profile/15652185615973481104noreply@blogger.comtag:blogger.com,1999:blog-218754062368399030.post-14363746559025885832007-03-04T14:55:00.053-05:002024-01-14T10:26:13.034-05:00<div style="text-align: center;">
<span style="font-size: 180%; font-weight: bold;">Excerpts: We Are Still One People</span><br />
<span style="font-weight: bold;">November 2013<br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiQI-FUmlHlcDexJcm2xIbVt5942sx6EilXGw3QM35TdZIwv_PhTH2ryvkxukpI8rfIQyzrReE4eMYKr9tSraNIjQZJnq8xBUTQ2vliIE3_X3NCpEqfeXYaAUyjDXJA_Uqm4AuHhe0VZ2g/s1600/The-New-Bicycle-04.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="252" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiQI-FUmlHlcDexJcm2xIbVt5942sx6EilXGw3QM35TdZIwv_PhTH2ryvkxukpI8rfIQyzrReE4eMYKr9tSraNIjQZJnq8xBUTQ2vliIE3_X3NCpEqfeXYaAUyjDXJA_Uqm4AuHhe0VZ2g/s640/The-New-Bicycle-04.jpg" width="400" /></a></div>
The New Bicycle, 2004<br />
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<span style="font-weight: bold;">My photography over time presents our people in a formal, and perhaps a
more studied way. We live our lives, recalling and
reflecting upon important events. In their grit and determination, my friends
express themselves, the invisible confidence that flows between us imprints upon the
photographs.<span style="font-size: 16pt;"><o:p></o:p></span></span><br />
<span style="font-weight: bold;">—Shelby Lee Adams</span></div>
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<span style="font-weight: bold;"><span style="font-size: 16pt;">“People
are felt rather than seen after the first few moments.”<o:p></o:p></span></span></div>
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<span style="font-weight: bold;"><span style="font-size: 16pt;">—John Steinbeck<o:p></o:p></span></span></div>
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<span style="font-weight: bold;"><span style="font-family: "calisto mt"; font-size: 16pt;">“East of Eden”<span style="font-size: 16pt;"><o:p></o:p></span></span></span><br />
<div style="font-size: 180%;">
<span style="font-weight: bold;"><span style="font-family: "calisto mt"; font-size: 16pt;"><br /></span>
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<div style="font-size: 180%;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgq7UhTjtw5hpArXn0eCcvZ9mYmEPjwQ679ixo4bBCCd8ZEnFyan6D31GkX6XZzM98Yf6PPfHtaM8lFVbecOriAo865YBkvAPN4a4eG4IoBfeFA5nXBHnKGL0m8zjmsaL1t9ZBBSdy2UaI/s1600/__David+Roxanne+KY-80+copy.jpg"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgq7UhTjtw5hpArXn0eCcvZ9mYmEPjwQ679ixo4bBCCd8ZEnFyan6D31GkX6XZzM98Yf6PPfHtaM8lFVbecOriAo865YBkvAPN4a4eG4IoBfeFA5nXBHnKGL0m8zjmsaL1t9ZBBSdy2UaI/s400/__David+Roxanne+KY-80+copy.jpg" width="310" /></a></div>
David, 1978, Roxanne<br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh381yv0yEl2psyH4YVGnZJuUUvrOf0-Q76MgZyrAaevM39GXeE56bfgHc5Trj4-7b6KzbRk9yptG_wkKxIAmu5zMrBVBJw9CkY926y8Ot550I4aaLsVcKVUsuAZh6Ql24w6Ifa7QoZuuQ/s1600/__Shelby-Photographing-78.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1051" data-original-width="1600" height="420" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh381yv0yEl2psyH4YVGnZJuUUvrOf0-Q76MgZyrAaevM39GXeE56bfgHc5Trj4-7b6KzbRk9yptG_wkKxIAmu5zMrBVBJw9CkY926y8Ot550I4aaLsVcKVUsuAZh6Ql24w6Ifa7QoZuuQ/s640/__Shelby-Photographing-78.jpg" width="640" /></a></div>
Shelby photographing David and another child, Roxanne, 1978</div><div style="text-align: center;">Photo made by Mark Karpenski<br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhnxjIVfwM5yDRY2L5hy5WyEiq6rozExbEYojCmc3DH-zQQewOPasLY8Jhn2FRFrYvWuBRwE8fdFetO0HzKmsPP-DHvB161lz_e_ajwNN1dJyWzajIM-_iRWrWGCbBL6nVb20Z2Ep835OE/s1600/__Roxanne-.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1041" data-original-width="1600" height="416" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhnxjIVfwM5yDRY2L5hy5WyEiq6rozExbEYojCmc3DH-zQQewOPasLY8Jhn2FRFrYvWuBRwE8fdFetO0HzKmsPP-DHvB161lz_e_ajwNN1dJyWzajIM-_iRWrWGCbBL6nVb20Z2Ep835OE/s640/__Roxanne-.jpg" width="640" /></a></div>
Polaroids from David's 1978 photo session.</div><div style="text-align: center;"><br /></div><div style="text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhEUFqK4VMYssQ23_SCEVw6x2HH-_WRsYBFl732y4Mc5RmJmEK6dzEJxhlUX7eEA2iCairViC4obLHuM0miWy4J6cKUIAI8MBnQkakmq6mx-r09dBCQUKTE48p55apqRFxPV87Y1wxvFmo8we9t7z02pP_gcNagNoLBbXaGDcRBvMH3rMzCyiEOSVPy/s640/__Bad-To-The-Bone_David_85%20copy.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="640" data-original-width="487" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhEUFqK4VMYssQ23_SCEVw6x2HH-_WRsYBFl732y4Mc5RmJmEK6dzEJxhlUX7eEA2iCairViC4obLHuM0miWy4J6cKUIAI8MBnQkakmq6mx-r09dBCQUKTE48p55apqRFxPV87Y1wxvFmo8we9t7z02pP_gcNagNoLBbXaGDcRBvMH3rMzCyiEOSVPy/w490-h640/__Bad-To-The-Bone_David_85%20copy.jpg" width="490" /></a></div><div class="separator" style="clear: both; text-align: center;">David, Bad to the Bone, 1985</div><br /><div style="text-align: center;"><br /></div><div style="text-align: center;">
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhJ1T8uDYpeF7Fb61xwENmDSbl2Vy1KkN_xlrn3ug1NHFW4WO55-yjLf5V4506zKxoY65ZoTiFVd5nZ9UE-hLdCHzW6yPaWyfvVavihxus5fNF8ph6z3xNbUwlpDZryLV5xxn3q4aRuPSU/s1600/__Ronnie-holding-Jeremy-08.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1600" data-original-width="918" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhJ1T8uDYpeF7Fb61xwENmDSbl2Vy1KkN_xlrn3ug1NHFW4WO55-yjLf5V4506zKxoY65ZoTiFVd5nZ9UE-hLdCHzW6yPaWyfvVavihxus5fNF8ph6z3xNbUwlpDZryLV5xxn3q4aRuPSU/s640/__Ronnie-holding-Jeremy-08.jpg" width="364" /></a></div>
Ronnie holding Jeremy, 2008<br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgN8M1JIluDDysfpXB1n1TTZPdd-phdpRIgWxzkM5CpOAeJ-yENDgG4i2JWzBGCFGSC8buE_7o3XVX5QVFVmCLZURlZWVnkKlF7OqKOsDy_q8j8PHDPm-IxXDWjPnV71aENBJlgHyr6nlY/s1600/__Newsome-Boy-Polaroids-89.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1046" data-original-width="1600" height="418" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgN8M1JIluDDysfpXB1n1TTZPdd-phdpRIgWxzkM5CpOAeJ-yENDgG4i2JWzBGCFGSC8buE_7o3XVX5QVFVmCLZURlZWVnkKlF7OqKOsDy_q8j8PHDPm-IxXDWjPnV71aENBJlgHyr6nlY/s640/__Newsome-Boy-Polaroids-89.jpg" width="640" /></a></div>
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Newsome Boy, 1989, Polaroids</div>
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<div class="MsoNormal" style="font-family: Calibri, sans-serif; margin: 0in 0in 0.0001pt; text-align: start;">
<span face=""arial" , sans-serif" style="font-size: 16pt;"> Is it not one’s socio-political status in life that grants ones rated visibility as something more important? In portraiture and human representation, faced with the inconsistency or incompleteness of a person’s form we feel entitled to say dispassionately, that face is ugly and unimportant, especially when one comes from poverty. If given a chance, cannot any form of humanity be elevated, redeemed and transformed by a faithful artistic portrayal?<o:p></o:p></span></div>
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<span face=""arial" , sans-serif" style="font-size: 16pt;"> —Shelby Lee Adams</span></div>
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<span face=""arial" , sans-serif" style="font-size: 16pt;">Kizzie, 2008</span><br />
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<span face=""arial" , sans-serif" style="font-size: 16pt;">Janet Malcom's take on Agee/Evans, <i>Let us Now Praise Famous Men.</i></span></span><br />
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<span face=""arial" , sans-serif" style="color: #999999; font-size: 16pt;"><i> </i>"This has always been the problem with Agee's book: the pictures and the text don't agree. The text is a howl of anger and anguish over the misery of the sharecroppers' lives. How can people live like this? How can the rest of us permit it, tolerate it, bear it? Agee cries. "Don't listen to him," the serene, orderly Walker Evans photographs seem to say. "He exaggerates. He gets carried away. It's not as bad as he says."</span></div>
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<span face=""arial" , sans-serif" style="color: #999999; font-size: 16pt;"> In all probability, Walker Evans himself believed nothing of the kind. The disparity between the testimony of his photographs and that of Agee's text comes not out of a disagreement between the two witnesses about what they saw but out of photography's inadequacy as a describer of how things are. The camera is simply not the supple and powerful instrument of description that the pen is. </span></div>
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<span face=""arial" , sans-serif" style="color: #999999; font-size: 16pt;"> —Janet Malcolm</span></div><div style="text-align: left;"><span face=""arial" , sans-serif" style="color: #999999; font-size: 16pt;"><br /></span></div><div style="text-align: left;"><span face=""arial" , sans-serif" style="color: #999999; font-size: 16pt;"><br /></span></div><div style="text-align: center;"><span face=""arial" , sans-serif" style="color: #999999;"><div class="separator" style="clear: both; font-size: 16pt; text-align: center;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEhJ1AvQ1vpz-CP08BMVSFJDX1OoKrbkNCsVjycsX63KibUx7vjKvOIwPRg4xJ1jBLYjKtfgQjCnTAGgPmzqM1mGzDRtrcwReG-PLi2SKC_0skEABC8Q7JRPC2lgsw3C_pv63NUMkh1M4fxyIbOFQMDSZzoeeayXQ8z8KOadG6E0bWm7QMt3PQ_5jZIy" style="margin-left: 1em; margin-right: 1em;"><img alt="" data-original-height="1431" data-original-width="1920" height="480" src="https://blogger.googleusercontent.com/img/a/AVvXsEhJ1AvQ1vpz-CP08BMVSFJDX1OoKrbkNCsVjycsX63KibUx7vjKvOIwPRg4xJ1jBLYjKtfgQjCnTAGgPmzqM1mGzDRtrcwReG-PLi2SKC_0skEABC8Q7JRPC2lgsw3C_pv63NUMkh1M4fxyIbOFQMDSZzoeeayXQ8z8KOadG6E0bWm7QMt3PQ_5jZIy=w640-h480" width="640" /></a></div><div class="separator" style="clear: both; font-size: 16pt; text-align: center;">Larry and Billie, 2003</div><div class="separator" style="clear: both; text-align: center;"><span style="font-size: x-small;">Bubba Road</span></div><div class="separator" style="clear: both; text-align: center;"><span style="font-size: x-small;"><br /></span></div><div class="separator" style="clear: both; text-align: center;"><span style="font-size: x-small;"><br /></span></div><div class="separator" style="clear: both; text-align: center;"><span style="font-size: x-small;"><br /></span></div><div class="separator" style="clear: both; text-align: center;"><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj_CYguPsc82GPa6d2XjrViN5x2pySnnkT3XwDmMGsZOqqUQ7GT1H9TVweUsXKLCkTAWX5r6H-cuWGlaT5-U7Y4ZM5BS69icgJ8n3kHjsiVeA7-d_bz-ye21zEeQjaKyE579bO_sBHSda8n-lM_KhUiHKDYLuZymz8ahMxsE89lOThLUeJxvcCrD2VJ2AY/s1920/_S_Abandon_94.jpg" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1432" data-original-width="1920" height="476" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj_CYguPsc82GPa6d2XjrViN5x2pySnnkT3XwDmMGsZOqqUQ7GT1H9TVweUsXKLCkTAWX5r6H-cuWGlaT5-U7Y4ZM5BS69icgJ8n3kHjsiVeA7-d_bz-ye21zEeQjaKyE579bO_sBHSda8n-lM_KhUiHKDYLuZymz8ahMxsE89lOThLUeJxvcCrD2VJ2AY/w640-h476/_S_Abandon_94.jpg" width="640" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"></td></tr></tbody></table>Abandon, 1994</div><div class="separator" style="clear: both; text-align: center;">Printed 2024</div><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh7rqQZgn6W7PvwOQxJVy0Sb6TY3Y2lx0WRIJtbtUwB972TYgKSk6xhfxy0gTZDhCbHDV86oS5BOd4GJrLLi38LNJvQ2oTCFmJg601u3fGiXw9BzZFZS0n739WfyR535PjQP1vEYOTlDx3_mkfI7Y4f65nHYtjkLnL7Z14gIwKXYEXlTLlYDxrLt5PGbxA/s1920/__Owsley-Co.-Man-94.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1920" data-original-width="1438" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh7rqQZgn6W7PvwOQxJVy0Sb6TY3Y2lx0WRIJtbtUwB972TYgKSk6xhfxy0gTZDhCbHDV86oS5BOd4GJrLLi38LNJvQ2oTCFmJg601u3fGiXw9BzZFZS0n739WfyR535PjQP1vEYOTlDx3_mkfI7Y4f65nHYtjkLnL7Z14gIwKXYEXlTLlYDxrLt5PGbxA/w480-h640/__Owsley-Co.-Man-94.jpg" width="480" /></a></div><div class="separator" style="clear: both; text-align: center;"><span style="font-size: medium;">Owsley C0. Man, 1994</span></div><div class="separator" style="clear: both; text-align: center;"><span style="font-size: medium;">Printed 2024</span></div><div class="separator" style="clear: both; text-align: center;"><br /><br /><br /><span style="font-size: x-small;"><br /></span></div><br /><br /></span></div>
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<span style="font-weight: bold;"><b><span class="Apple-style-span" style="background-color: black; border-collapse: collapse; color: #9fc5e8; font-family: "arial"; font-weight: normal;"><a href="http://www.blogger.com/profile-find.g?t=s&q=All+photographs+and+text+copyrighted+-+%C2%A9+1978+-+2012+Shelby+Lee+Adams" style="color: #cc6600; text-decoration: none;">All photographs and text copyrighted - © 1978 - 2024 Shelby Lee Adams,</a> <a href="http://www.blogger.com/profile-find.g?t=s&q=legal+action+will+be+taken+to+represent+the+photographer" style="color: #cc6600; text-decoration: none;">legal action will be taken to represent the photographer,</a> <a href="http://www.blogger.com/profile-find.g?t=s&q=the+work+taken+out+of+context" style="color: #cc6600; text-decoration: none;">the work taken out of context,</a> <a href="http://www.blogger.com/profile-find.g?t=s&q=subjects+and+integrity+of+all+photographic+and+written+works" style="color: #cc6600; text-decoration: none;">subjects and integrity of all photographic and written works,</a> <a href="http://www.blogger.com/profile-find.g?t=s&q=including+additional+photographers+published+and+authors+quoted.+Permissions+-+send+e+mail+request+with+project+descriptions." style="color: #cc6600; text-decoration: none;">including additional photographers published and authors quoted. Permissions - send e mail request with project descriptions.</a></span></b></span></div>
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